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Bertrand Carrière

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Rhizomes, Atlases, and Herbaria

Ciel variable 125 – AGGLOMERATIONS | Editorial
Authors: Jacques Doyon | Artists: Bertrand Carrière, Éric Tabuchi, Nelly Monnier, Suzanne Lafont

[Winter 2024] By Jacques Doyon Cities are born from clusters of structures that provide shelter for human life and activities. Through them flow grids of thoroughfares that form patterns of movement and exchange. That’s what an urban agglomeration is: a dense knot, large or small, placed at a certain point in a rhizomatic lattice that […]

Bertrand Carrière, Autoroutes 10-20-55 — Michel Hardy-Vallée, Landscape and Automobile

Ciel variable 125 – AGGLOMERATIONS | Portfolios
Authors: Michel Hardy-Vallée | Artists: Bertrand Carrière

[Winter 2024] Landscape and Automobile By Michel Hardy-Vallée [Excerpt] Recently, driving home from Quebec City, I stopped for hot dogs in Neuville. The setting wasn’t elegant: a gas station with a food concession, surrounded by a lot with vague edges. I wanted something shapeless and soft after spending a full day with intellectually and aesthetically […]

Agglomerations

Ciel variable 125 – AGGLOMERATIONS | Portfolios
Artists: Bertrand Carrière, Éric Tabuchi, Nelly Monnier, Suzanne Lafont

[Winter 2024] Cities are born from clusters of structures that provide shelter for human life and activities. Through them flow grids of thoroughfares that form patterns of movement and exchange. That’s what an urban agglomeration is: a dense knot, large or small, placed at a certain point in a rhizomatic lattice that runs through an […]

Une poignée d’étoiles, by Bertrand Carrière – Louis Perreault

The Photobook
Authors: Louis Perreault | Artists: Bertrand Carrière

[November 9, 2023] By Louis Perreault. Photographers extract from reality fragments of space-time that they see as meaningful. From these shots are then decanted the images with the greatest potential for building a series or sequence. Thus, photographers follow a principle of subtraction: from a larger grouping they patiently distill the essence of the artwork to come. As they conduct this pruning process, their artistic sensibilities are activated, their vision is clarified, their language is defined…

Bertrand Carrière

Et fili ? Cultural Transmission and the Quebec Photobook — Michel Hardy-Vallée

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Michel Hardy-Vallée | Artists: Anne-Marie Proulx, Bertrand Carrière, Charles-Frédérick Ouellet, Donigan Cumming, Florence Le Blanc, Guillaume Simoneau, John Max, Matthieu Brouillard, Michel Campeau, Sylvain Cousineau

[Hiver 2022] By Michel Hardy-Vallée [Excerpt] It’s a lovely image: my father, who had been taking photographs since the 1960s, had given me his Beseler 23C II enlarger. I went to pick it up in order to flesh out my amateur darkroom, and I was thinking about transmission of culture. The caption might have quoted […]

Bertrand Carrière, Learning photography from books — Serge Allaire

Ciel variable 117 - SHIFTED | Interviews
Authors: Serge Allaire | Artists: Bertrand Carrière

[Summer 2021] Bertrand Carrière Learning photography from books An Interview by Serge Allaire Over the last forty years, Bertrand Carrière has produced a personal and varied body of photographic work. His photographs have been exhibited in Quebec, Canada, Europe, and China, and he is represented by Galerie Simon Blain Montreal and the Stephen Bulger Gallery […]

Ouvrages à souligner — Jérôme Delgado

Ciel variable 116 — LANDSCAPES AS MIRRORS | Book Reviews
Authors: Jérôme Delgado | Artists: Bertrand Carrière, Geneviève Cadieux, Isabelle Hayeur

[Hiver 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Par Jérôme Delgado (En français seulement)   Suite de l’article et autres images dans le magazine : Ciel variable 116 – PAYSAGES MIROIRS  

Bertrand Carrière — Sylvain Campeau

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Dans les années – Photographies 1996–2019 Galerie d’art Antoine-Sirois de l’Université de Sherbrooke Du 8 septembre au 17 octobre 2020 By Sylvain Campeau (En français seulement)   See the magazine for […]

Bertrand Carrière, Tout ceci est impossible — Sylvain Campeau, Time is Impossible

Ciel variable 112 - COLLECTIONS REVISITED | Portfolios
Authors: Sylvain Campeau | Artists: Bertrand Carrière

March 8, 2022 [originally published in CV112 in Summer 2019] — By Sylvain Campeau. Bertrand Carrière has had a long relationship with the film world. Before establishing himself as an artist, he took many pictures as a soundstage photographer. But such images must not be seen solely as the result of a professional practice that imposed frameworks and constraints on the creation of images…

Bertrand Carrière, Le capteur – Sylvain Campeau

Ciel variable 103 - NATURE | Book Reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière

November 11, 2019 [originally published in CV103 in Spring 2016] — You can read it by switching over to the French version of this page.

Campeau, Carrière, Clément: Accumulations – Mona Hakim

Ciel variable 102 - FAR AWAY, SO CLOSE | Exhibition reviews
Authors: Mona Hakim | Artists: Bertrand Carrière, Michel Campeau, Serge Clément

September 24, 2019 [originally published in CV102 in Winter 2016] — You can read it by switching over to the French version of this page.

Donald McCullin, Collision, Helen Doyle, Representing War and Social Conflicts? – Pierre Dessureault

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Essays
Authors: Pierre Dessureault | Artists: Bertrand Carrière, Donald McCullin, Helen Doyle, Michael Mitchell

May 14, 2018 [originally published in CV95 in Fall 2013] — By a strange coincidence, two exhibitions – a Donald McCullin retrospective and Collision: Conflict and Its Consequences – at the National Gallery of Canada, as well as a film, Dans un océan d’images, featured at the recent International Festival of Films on Art (FIFA) in Montreal, have presented a wide range of practices related to how photographs portray war and social conflict…

Bertrand Carrière – Sandra Fillion

Ciel variable 90 – COLLABORATIONS | Exhibition reviews
Authors: Sandra Fillion | Artists: Bertrand Carrière

April 19, 2017 [originally published in French in CV90 in Winter 2012] — You can read it by switching over to the French version of this page.

Form: Experimentation and Transformation – Sylvain Campeau

Essays
Authors: Sylvain Campeau | Artists: Alain Paiement, Bertrand Carrière, Bill Vazan, Isabelle Hayeur, Luc Courchesne, Nicolas Baier, Raymonde April

October 15, 2015 [originally published on March 31, 2010] — Looking back over twenty years and trying to retrace the path of experiments with images, we start in the early 1990s, when a couple of newcomers, Alain Paiement and Roberto Pellegrinuzzi, were already starting to turn heads. In an essay published in 1992, Denis Lessard tried to show what these artists owed to the heritage of Pierre Boogaerts, Bill Vazan, and Serge Tousignant.1 He also mentioned the work, then new, of Raymonde April, Lucie Lefebvre, and Denis Farley. This effort at historical perspective was out of place at the time, when the lion’s share of attention in the critical environment was being paid to the rebirth of installation art and the manner in which photography and, soon, the photographic would be inserted into it.

Alain Paiement, Bertrand Carrière, Bill Vazan, Isabelle Hayeur, Luc Courchesne, Nicolas Baier, Raymonde April

Bertrand Carrière et Serge Clément, Chemin faisant – Sylvain Campeau

Ciel variable 83 - MEDIUM : MAGAZINES | Exhibition reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière, Serge Clément

[Fall 2009] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Simon Blais, Montréal Du 10 juin au 1er août 2009

Bertrand Carrière, Caux – Gary Michael Dault, CAUX: Photographs by Bertrand Carrière

Ciel variable 68 – MEMORIES OF THE DISASTER | Portfolios
Authors: Gary Michael Dault | Artists: Bertrand Carrière

[Summer 2005] In three recent interrelated works, Bertrand Carrière explores ways of expressing the memories embedded in the landscape at the site of the Dieppe Raid of 1942. The Caux series constitutes a long meditation on the sense of purposelessness and loss embodied by that very landscape. It was preceded by Jubilee, an installation in […]

Bertrand Carrière, Signes de jour – Sylvain Campeau

Ciel variable 60 - VISION | Exhibition reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière

[Spring 2003] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie Simon Blais du 4 septembre au 5 octobre 2002

Bertrand Carrière – Mona Hakim

Ciel variable 37 - THE PLACE | Exhibition reviews
Authors: Mona Hakim | Artists: Bertrand Carrière

[Winter 1996-1997] This article was originally published only in French. You can read it by switching over to the French version of this page. Université de Sherbrooke, Sherbrooke Du 1er juillet au 4 septembre 1996

Bertrand Carrière, Témoin de l’ombre – Robert Legendre

Ciel variable 34 - UNTITLED | Book Reviews
Authors: Robert Legendre | Artists: Bertrand Carrière

[Spring 1996] This article was originally published only in French. You can read it by switching over to the French version of this page. Montréal, Éditions Les 400 coups, coll. «Images», 1995.

Bertrand Carrière – Michel Campeau, La brèche aiguë de l’œil dessous la porte

Ciel variable 22 - TO SHOW AND TO TELL | Portfolios
Authors: Michel Campeau | Artists: Bertrand Carrière

[Spring 1993] This article was originally published only in French. You can read it by switching over to the French version of this page.

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