[Spring-Summer 2017] An interview by Carol Payne [Excerpt] In late 2016, Luce Lebart was appointed the first director of the Canadian Photography Institute at the National Gallery of Canada. For the previous five years, she had been director of collections and curator at the Société Française de Photographie (SFP) in Paris, one of the oldest […]
[Winter 2017] Hélène Samson has been the curator of the photography collection at the McCord Museum since 2006. She is interested in collecting vernacular Canadian photographs and updating nineteenth-century photographic archives. She has just edited a book produced by the McCord Museum and Éditions Hazan (Paris) on the work of Canadian photographer William Notman (1826–91), […]
[Fall 2016] Ami Barak is the curator of the next edition of Le Mois de la Photo à Montréal, which will take place in September 2017. Invited to create a series of exhibitions and activities devoted to contemporary photography, he decided to explore the theme of the document and the ambiguity of images, and to […]
[Fall 2016] Ryerson Image Centre, Toronto Guest Curator: Bénédicte Ramade An interview by Jacques Doyon [Excerpt] On September 14, 2016, the Ryerson Image Centre in Toronto inaugurated an exhibition titled The Edge of the Earth – Climate Change in Photography and Video, featuring works by more than twenty contemporary artists from Canada and abroad, as […]
[Spring-Summer 2016] An interview by Alexis Desgagnés Photographs by Benoit Aquin [Excerpt] Eighty-eight years old. Decorum would have us qualify this age as venerable. Anyone who divides this number into decades will better measure the span of a lifetime devoted almost entirely to photography. We know about the immense contribution of Gabor Szilasi, who was […]
[Winter 2016] An interview by Zoë Tousignant [Excerpt] Quentin Bajac has been the chief curator of photography at the Museum of Modern Art, New York, since 2013. In the fall of 2015, MoMA opened the exhibition Ocean of Images: New Photography 2015 (November 7, 2015, to March 20, 2016) and published the third volume in […]
[Fall 2015] Christine Palmiéri :In your career, you have had exhibitions of your work, conducted theoretical research on photography, and organized international exhibitions. So, curating an exhibition isn’t new for you? Joan Fontcuberta : I’ve devoted a great deal of time to curating because it is always related to my work, but I consider myself […]
[Spring-Summer 2015] In the fall of 2014, the Pompidou Centre inaugurated a new exhibition space devoted to photography. Beyond the strictly local consequences involved, such a decision by a world-class museum may be understood as unequivocal recognition of the legitimacy now granted to this medium within the contemporary art system and canonical institutions. Clément Chéroux, […]
November 18, 2015 [originally published Winter 2015] — Vincent Lafrance’s work is permeated with the idea of the simulacrum – perception and its faults. Playing with photographic virtuosity and with randomness, he composes visual illusions with traditional photographic means. His body of videographic work uses language as a confusing effect; he produces fictions that fluidly meander between …
[Fall 2014] MaryAnn Camilleri is the executive director of the Magenta Foundation. After completing her BA in photographic arts at Ryerson University, Toronto-born Camilleri moved to New York, where she worked at Magnum Photo for ten years. In 2003, she returned to Toronto and, with the goal of publishing high-quality art books and promoting Canadian […]
[Spring-Summer 2014] Martha Langford is the research chair and director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art and a professor of art history at Concordia University in Montreal. Her books on photography include Suspended Conversations: The Afterlife of Memory in Photographic Albums (2001); Scissors, Paper, Stone: Expressions of Memory […]
[Winter 2014] Luc Courchesne is a digital arts pioneer. From interactive portraits to immersive experience systems, he has created innovative and engaging works that have earned him prestigious awards such as the Grand Prize of the ICC Biennale in Tokyo in 1997 and the Award of Distinction at Ars Electronica in Linz, Austria, in 1999. […]
[Fall 2013] Paul Wombell is an independent curator and writer on photography living in London (U.K.). He has been the director of Impressions Gallery, York (1986–94), director of The Photographers’ Gallery, London (1994–2005), and festival director of the Hereford Photography Festival (2006–07). Since 2007, he has curated exhibitions for the annual photographic festival PHotoEspana in […]
[Spring-Summer 2013] Bonnie Rubenstein has been a director at CONTACT since 2002, and the festival’s artistic director Originally from Toronto, she holds an MFA from the School of the Art Institute in Chicago. As curatorial assistant for the Museum of Contemporary Art in Chicago, she worked on several groundbreaking exhibitions. In 1989, Rubenstein relocated to […]
[Winter 2013] After forty years of international recognition and numerous exhibitions, today catalonian artist Joan Fontcuberta is a major voice in the discourse on photographic issues in the era of Web 2.0. In 2011, he was co-curator of the controversial exhibition “From Here On,” presented at the rencontres d’Arles, dealing with artists’ appropriation of images […]
September 5, 2017 [originally published in CV92 in Fall 2012] — Stephen Bulger studied at Ryerson University in Toronto. He was the founding director of the Ryerson Gallery, where he managed over thirty exhibitions. in 1994, he opened the Stephen Bulger gallery to exhibit and sell contemporary and historical photographs, with a special emphasis on the documentary tradition and Canadian historical photographs.
June 12, 2017 [originally published in CV91 in Spring 2012] — Now the artistic director of La Bande Vidéo, Sébastien Hudon has been, in turn, a bookseller, an author, a critic, and an independent curator. He was nominated for the young curator of the year award at the first agac gala following his presentation of two successive exhibitions mounted in 2010 and 2011 at Maison Hamel-Bruneau, in Quebec City: “Concerto en bleu majeur,” on the links between the visual arts and music, and …
January 24, 2017 [originally published in CV89 in Fall 2011] — Marie-Josée Jean became director of VOX, centre de l’image contemporaine in 2002, after organizing the sixth and seventh presentations of Mois de la Photo à Montréal. For the last ten years, her research has focused on the theory and practice of image-based and conceptual art. For VOX, she has organized exhibitions by John Baldessari, Bill Vazan, Marcel Duchamp, Maria Eichorn, …
October 27, 2016 [originally published in Spring 2011] — Anne-Marie Ninacs was the guest curator for the Mois de la Photo à Montréal 2011, with the theme Lucidity: Inward Views. From 2002 to 2006, Ninacs was the curator of contemporary art at the Musée national des beaux-arts du Québec, where she organized the exhibitions Massimo Guerrera. Darboral, L’emploi du temps, Avancer dans le brouillard, and Chimère/Shimmer.
August 22, 2016 [originally published in Winter 2011] — An artist, archivist, historian, and art theoretician by training, the independent curator Vincent Bonin has recently organized, alone or in collaboration, a series of exhibitions that shed light on a turning point in the history of Canadian contemporary art: the late 1960s and early 1970s. Bonin’s principal subjects of reflection are discursive productions, the conditions for their expression and …
October 11, 2016 [originally published in Winter 2011] — Michel Campeau, who has been a contemporary-art photographer for four decades, has received the Duke and Duchess of York Prize (2010), the Jean-Paul-Riopelle Career Grant (2009), and the Higashikawa International Photography Prize in Japan (1994). His work, which explores the subjective and narrative dimensions of images, questions the conventions of documentary photography. A retrospective exhibition of his work in 1996 at the Canadian Contemporary Photography Museum covered his production from 1971 to 1996. Campeau is represented by Galerie Simon Blais (Montreal), and lives and works in Montreal.
October 13, 2016 [originally published in Winter 2011] — Chuck Samuels’s photographs have been exhibited, published, and collected extensively in Quebec, Canada, and abroad. His installation and video works have been presented in various venues, including several Canadian film and video festivals, and his photographs are in numerous collections in Canada, France, Belgium and the United States.
October 18, 2016 [originally published in Winter 2011] — Yan Giguère has been a well-known figure in the Quebec contemporary art scene since the mid-1990s. His most recent photographic works were in solo exhibitions at Galerie Optica in 2009, Centre VU in 2008 and 2002, and Galerie B-312 in 2002. His pieces, which are in a number of collections, highlight the poetry of the everyday in series with strong narrative potential arranged on the walls of the exhibition space.