[Spring-Summer 2018] This article was originally published only in French. You can read it by switching over to the French version of this page. DHC/Art, Montréal Du 25 octobre 2017 au 11 mars 2018 By Sylvain Campeau (French only) [See the printed or digital version of the magazine for the complete article. On sale throughout […]
[Winter 2018] This article was originally published only in French. You can read it by switching over to the French version of this page. L’hiver nous lie, puis vient le printemps Pierre-François Ouellette Art contemporain Du 31 août au 30 septembre 2017 Par Sylvain Campeau (French only) [See the printed or digital version of […]
[Fall 2016] This article was originally published only in French. You can read it by switching over to the French version of this page. La vie abstraite (volets 1 et 2) Galerie René Blouin, Montréal Du 5 mars au 23 avril 2016 par Sylvain Campeau (French only) [See the printed or digital version of the […]
[Fall 2015] [Excerpt] It has been a few years now since artists discovered that they could put Google Street View to artistic and critical use. The best-known case is no doubt Jon Rafman, who is pursuing – inexorably, I might be tempted to say – his 9-eyes project, for which he shamelessly pillages the Internet […]
Henri Venne is a painter. It is painted matter that interests him. It is in this medium that he was educated, and it is also how he defines himself. Henri Venne is also a photographer, as the works that emerge from his creative process are photographs. He is also interested in how images are imbued […]
March 26, 2018 [originally published in CV94 in Spring 2013] — To judge by his works, Nicolas Baier has never been anything but a photographer, as these works are replete with all the potentialities, components, and mechanisms of the medium. This is so even when the works he creates are not photographic…
August 28, 2017 [originally published in CV91 in Spring 2012] — The images are supreme. Of rather respectable dimensions – when they are not downright immense – and brightly coloured, they please us, dazzle us, force us to admire them. They show landscapes, openings into our immediate environment. But this environment does not have the bucolic accents of yore, for it is increasingly occupied by signs of exploitation of natural resources. Its wild – truly wild – territories are rarer and rarer…
May 29, 2017 [originally published in CV90 in Winter 2012] — For a number of years, Patrick Dionne and Miki Gingras have been working on large-scale photographic projects that encourage artistic engagement in society. In 2002, to better fulfil this mission, they founded Diasol, a charitable organization the objective of which is to use art photography as a means of intervention with marginalized people and young people and adults with difficulties with school or family, in psychological distress, or in the process of social reintegration.