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In this section, you can access the content of archived Ciel variable issues by exploring different types of articles published in the magazine.
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Robert Graham, Three Montréal Photographers + — Zoë Tousignant, Robert Graham’s History of Photography in Montreal

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Zoë Tousignant | Artists: Donigan Cumming, Michel Campeau, Tom Gibson

A reflection on Robert Graham’s activities as a critic and collector, this exhibition of three Montreal photographers (and more) opens broad perspectives. It accounts for an approach that combines the acquisition of artworks and spending time with their creators (in this case, Tom Gibson, Donigan Cumming, and Michel Campeau) with the development of a critical vision of photography. Zoë Tousignant defends the principle that an image is appreciated as much for what it doesn’t show as what it does show. She notes that Graham, whose collection comprises works that are “visual correlatives” of his thought, is interested in the parergon, Jacques Derrida’s concept that has it that “what resides outside of a work of art is in fact fundamental.” “Telling the history of photography in Montreal cannot involve the exclusion of all that is foreign,” writes Tousignant, who sees the inclusion in the exhibition of images by Muybridge, Tichý, and Parr as reflecting “the total imbrication of the local scene with the international.”

Amandine Alessandra, Marine Baudrillard, Carole Lévesque, Katharina Niemeyer et Magali Uhl, Écran total — Edward Pérez­-González, The Absence Machine

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Edward Pérez-González | Artists: Charlie Doyon

The result of a research project around Jean Baudrillard’s reflection on the notion of the “total screen,” this exhibition brings together seven artists who comment on the omnipresence of the screen and its effects on our lives. According to critic Edward Pérez-González, “the works that form the core of the exhibition are based on the critical vision of the world of Baudrillard the philosopher … a world in which the statement becomes the screen itself.” Baudrillard the photographer, whose images are present in the exhibition, proposes, as Pérez-González writes, “to capture the value of experience … of the ‘I’ that I am.” It is this subjectivity, linked to a body of work attentive to light, that is tending to disappear in the era of screens. “Through the accumulation of sequences, decontextualization, and schematization,” Pérez-González summarizes, “a disconnected world is shown and scrutinized soullessly.”

William A. Ewing et Holly Roussell, Civilization – Quelle époque ! — Julie Martin, A Photographic Mapping of the Twenty­First Century

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Julie Martin | Artists: Massimo Vitali

Two hundred works, a hundred and ten photographers, eight sections: this ambitious exhibition, observes critic Julie Martin, “offers a glimpse of the movements that run through today’s world: interrelations, invisible flows, influences, mobility of goods and human beings.” Martin bases her reflection on the principle of “cognitive mapping,” formulated by Fredric Jameson to evoke what escapes our gaze, our senses, and our experience. Although she sees Civilization as a descendant of Edward Steichen’s legendary exhibition The Family of Man, she underlines that this new show is a true panorama of diversity – and not a portrayal of capitalistic hegemony. “The curators do not renounce the idea of a human community,” Martin writes, “but they respect its disparities [and] make visible the mechanisms of power (hidden in The Family of Man) that shape our world.”

Exhibiting Photography

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios

The thematic section in this issue presents three exhibitions that show how photography can contribute to shaping a critical vision of the world. By bringing together a large number of images and points of view, the first sets out to offer an overall sense of the changes affecting global civilization. Inspired by Jean Baudrillard’s notion of the “total screen,” the second contrasts traditional photography and its mutant, digital, and interactive form, which augments the real at the scale of a screen interface. The third highlights the career of a photography critic whose vision is fed by his encounter with the works he has collected and their creators, while being attentive to the development of a photographic community.

Franck Gérard, En l’état — Jacques Leenhardt, Franck Gérard’s Photographic Encounters

Ciel variable 117 - SHIFTED | Portfolios
Authors: Jacques Leenhardt | Artists: Franck Gérard

[Summer 2021] A story, July 13, 1999, to the present (excerpts) Franck Gérard A press clipping. A few months after my fall, a patron, Löic Francheteau from Flesselles, in a bar where I hang out showed me a newspaper clipping that he had cut out for me. The article tells the story of a young […]

Vincent Lafrance, Savoir vivre — Zoë Tousignant, The Artful Life (according to Vincent Lafrance)

Ciel variable 117 - SHIFTED | Portfolios
Authors: Zoë Tousignant | Artists: Vincent Lafrance

In his web series Savoir vivre, Vincent Lafrance stages an alter ego in search of meaning and renewal. Blending autofiction and reflection on creation, the artist explores isolation, failure, and the quest for a new balance with the world.

Steve Giasson, Nouvelles Performances invisibles — Didier Morelli, The Artist’s Body, a Camera, and Various Performative Interactions

Ciel variable 117 - SHIFTED | Portfolios
Authors: Didier Morelli | Artists: Steve Giasson

Steve Giasson continues his Invisible Performances with a series of actions shared on social media during the pandemic. By linking his body to the camera, he creates a poetic and critical imaginary that questions social and media codes.

Shifted

Ciel variable 117 - SHIFTED | Portfolios
Artists: Franck Gérard, Steve Giasson, Vincent Lafrance

Three artists explore, each in their own way, the visible and the invisible: through erudition, autofiction, and subjectivity, their works reveal an ironic distance from the contemporary world.

David K. Ross, Children of Kaos — Jeanne Randolph, Sometimes a Name Is Just a Name

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Jeanne Randolph | Artists: David K. Ross

[Winter 2021] By Jeanne Randolph   Vain Pillaging – I told him I was thinking, “Vain Pillaging.” – As in futile? my friend responded. – As in gall-darn hubris, I said. Any one of us can do what we want with names, even four-thousand-year old names. – And, said my friend, who is familiar with […]

Chloé Beaulac, Ces lieux qui nous habitent — Dominique Sirois-Rouleau, Territories of Memory

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Dominique Sirois-Rouleau | Artists: Chloé Beaulac

[Winter 2021] Dominique Sirois-Rouleau Chosen to take part in the Missions photographiques des Laurentides project,1 Chloé Beaulac set herself the objective of finding the family cottage that had been part of her childhood. This quest motivated the month-long residency, during which her recollections tied to the Laurentian landscape were confronted with reality. For days, she […]

Alain Lefort, Résonance des silences — Yannick Marcoux, The Pixel: A Fragile Mirage

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Yannick Marcoux | Artists: Alain Lefort

[Winter 2021] Par Yannick Marcoux Looking back upon our origins, it was a long time ago – a very long time, ten thousand years in fact – that the last ice age ended on Earth. What remains of that epoch seems to fasci­nate Alain Lefort, who, after making his series Eidolôn on drifting icebergs, has […]

Mary Kavanagh, Daughters of Uranium – Blake Fitzpatrick, Embodied Politics

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Blake Fitzpatrick | Artists: Mary Kavanagh

[Summer 2020] By Blake Fitzpatrick Uranium is an unstable element. It breaks down over time – a very long time. Naturally occurring uranium-238 has a half-life of 4.468 billion years, meaning that it takes that amount of time for half of the uranium to transform into other elements in a radioactive decay chain. The elements […]

William Kentridge, More Sweetly Play the Dance – Érika Nimis, La marche du monde

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Erika Nimis | Artists: William Kentridge

[Summer 2020] By Érika Nimis Interdisciplinary artist William Kentridge (born 1955 in Johannesburg) is internationally celebrated for his animated films composed of charcoal drawings and as a director of live shows. Born into an activist family intimately involved with the anti-apartheid struggles of the 1980s, Kentridge works in media as varied as printmaking, sculpture, performance, […]

Benoit Aquin, La dimension éthérique du réseau par Anton Bequii – Alexis Desgagnés, Anton Bequii : A Spiritual Uprising

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Alexis Desgagnés | Artists: Benoit Aquin

[Summer 2020]   [Technology] is no longer opposed to human beings but is being integrated with them and gradually absorbing them. — Jacques Ellul By Alexis Desgagnés I was asked to write about Benoit Aquin’s La dimension éthé­rique du réseau par Anton Bequii.1 It’s not the first time that I’ve been asked. I haven’t said […]

The March of the World

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Artists: Benoit Aquin, Mary Kavanagh, William Kentridge

[Summer 2020] The works in this special section address dimensions of human activity that have considerable significance in today’s globalized society in view of the role of technology, the use of energy resources, and respect for human rights. These complex works combine multiple voices to reflect ethical issues and their impacts on individuals and communities. […]

Mélissa Pilon, Foules — Claudia Polledri, What Is a Crowd? A New Approach to the Photojournalistic Image

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Claudia Polledri | Artists: Mélissa Pilon

[Winter 2020] By Claudia Polledri What is a crowd, and how can a photograph teach us about this protagonist of twentieth-century history? In her photobook Foules, Mélissa Pilon underlines the visual complexity of crowds as living organisms, casting an original gaze upon them. In this work, defined as photojournalism, Pilon aims to offer a new […]

Gisele Amantea, Aleppo, Syria, December 17, 2016 — An interview by Jacques Doyon

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Gisele Amantea, Jacques Doyon | Artists: Gisele Amantea

[Winter 2020] An interview by Jacques Doyon Jacques Doyon: What is the origin of the work Aleppo, Syria December 17, 2016? How did the idea emerge? Why Syria? And what prompted you to work from an existing image of a disaster? Gisele Amantea: I was invited by curator Emily Falvey to participate in the group […]

Alain Paiement, Masses / Particules — Alain Paiement, Crowds

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Alain Paiement | Artists: Alain Paiement

[Winter 2020] Demonstrations. From Occupy Wall Street to Extinction Rebellion actions, popular resistance demonstrations have become an integral part of international news over the last decade. We are almost accustomed to seeing, over and over, spectacular images of uprisings against dictators, altercations among citizens, identity-related confrontations, movements of crowds in war and in desperate migrations. […]

Dominique Blain, Déplacements — Louise Déry, A Painful Beauty

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Louise Déry | Artists: Dominique Blain

[Winter 2020] By Louise Déry As Dominique Blain’s exhibition Déplacements was being presented in Paris,<sup>1</sup> Venice was suffering a flood so terrible that we were once again anguished about the possibility of seeing this incomparable treasure of world heritage disappear. Not so long ago, it was Notre-Dame de Paris that was severely damaged, this time […]

Masses | Monuments

Ciel variable 114 - MASSES | MONUMENTS | Portfolios

[Winter 2020] In this issue’s thematic section, we look at collective action in society. Against a background of social conflict and war, the artists evoke the impact of collective actions on the common good by re-examining and recontextualizing images plucked from the mass of media images that form our relationship with the world. DOMINIQUE BLAIN […]

Erasmus Schröter, Contest — Andreas Höll, A Crisis of Masculinity? The Gradual Liquefaction of Identities

Ciel variable 113 - TRANS-IDENTITIES | Portfolios
Artists: Erasmus Schröter

November 15, 2023 [originally published in CV113 in Fall 2019] — By Andreas Höll. Our image of the world has always been very fragile, and it has severely jolted on several occasions. Sigmund Freud, for example, cited the three insults to humanity that overturned our view of the world: Copernicus expected us to believe that we weren’t at the centre of the universe; Darwin proved we were descended from apes and warned us not to assume we were the pinnacle of creation; and Freud himself revealed that, following the discovery of the unconscious, we were no longer master even in our own house…

JJ Levine, Family — Charles Guilbert, Beyond Borders

Ciel variable 113 - TRANS-IDENTITIES | Portfolios
Authors: Charles Guilbert | Artists: JJ Levine

November 8, 2023 [originally published in CV113 in Fall 2019] — By Charles Guilbert. What strikes the eye in JJ Levine’s work is a unique way of challenging gender norms. But when we look more closely, we discover that Levine wants to erase many borders – in both photography practice and in addressing subjects such as family, time, and space…

Kent Monkman, Miss Chief Eagle Testickle — Dayna McLeod, Disrupting Colonial Comforts and Settler Sensibilities

Ciel variable 113 - TRANS-IDENTITIES | Portfolios
Authors: Dayna McLeod | Artists: Kent Monkman

October 25, 2023 [originally published in CV113 in Fall 2019] — By Dayna McLeod. Miss Chief Eagle Testickle is the muse and alter ego of Kent Monkman, a Cree artist who confronts the violent and systemic consequences of colonialism on Indigenous peoples in North America, with attention to Canada and Quebec.

Trans-identities

Ciel variable 113 - TRANS-IDENTITIES | Portfolios
Artists: Erasmus Schröter, JJ Levine, Kent Monkman

[Fall 2019] The artists brought together in this issue’s thematic section explore different issues related to the boundaries of sexual identity and their transgression. Personas, transvestism, and role mutations are core to these artists’ approaches, as they address various issues fundamental to establishing a society based on inclusion rather than on narrow concepts of identities […]

Collection Lazare : États d’âmes, esprit des lieux — Colette Tougas, Portraits of Families with Nature (Still Life or Other)

Ciel variable 112 - COLLECTIONS REVISITED | Portfolios
Authors: Colette Tougas | Artists: Nicolas Baier

March 15, 2023 [originally published in CV112 in Summer 2019] — By Colette Tougas. One purpose of the exhibition devoted to the Lazare collection at the Montreal Museum of Fine Arts was to highlight thirtythree photographs that have been donated to the institution by Montreal collector Jack Lazare…

Bertrand Carrière, Tout ceci est impossible — Sylvain Campeau, Time is Impossible

Ciel variable 112 - COLLECTIONS REVISITED | Portfolios
Authors: Sylvain Campeau | Artists: Bertrand Carrière

March 8, 2022 [originally published in CV112 in Summer 2019] — By Sylvain Campeau. Bertrand Carrière has had a long relationship with the film world. Before establishing himself as an artist, he took many pictures as a soundstage photographer. But such images must not be seen solely as the result of a professional practice that imposed frameworks and constraints on the creation of images…

Serge Clément, Archipel — Alexis Desgagnés, Geography of an Archipelago

Ciel variable 112 - COLLECTIONS REVISITED | Portfolios
Authors: Alexis Desgagnés | Artists: Serge Clément

March 1, 2023 [originally published in CV112 in Summer 2019] — By Alexis Desgagnés. In 2014 in Quebec City, photographer Serge Clément and I presented the exhibition Constellations, composed of a corpus of photobooks drawn from Clément’s impressive collection…

Collections Revisited

Ciel variable 112 - COLLECTIONS REVISITED | Portfolios

[Summer 2019] Three recent exhibitions offer a rare look at the act of collecting. In Archipel, Serge Clément presents a collection of all the photobooks that he has made – books that can be seen as sequencings of collections of his own images. Bertrand Carrière immerses himself in the collection of the Cinémathèque québécoise, focusing […]

Bert Danckaert, True Nature — James D. Campbell, Strange Oases of the Seen: Images of the Built World

Ciel variable 111 - THE SPACE OF COLOUR | Portfolios
Authors: James D. Campbell | Artists: Bert Danckaert

June 21, 2022 [originally published in CV111 in Winter 2019] — By James D. Campbell. The photographs of Belgian artist Bert Danckaert have been likened to abstract paintings, but the family resemblance resides more in the facture than in the finished work of art…

Jessica Eaton, Iterations (I) — Stephen Horne, System or Poem?

Ciel variable 111 - THE SPACE OF COLOUR | Portfolios
Authors: Stephen Horne | Artists: Jessica Eaton

June 21, 2022 [originally published in CV111 in Winter 2019] — By Stephen Horne. A number of Montreal artists are proposing ambitious responses to the dissolution of traditional artistic genres in what is clearly a “post-medium world.” Jessica Eaton is one of these, as evidenced by her recent exhibition titled Iterations (I) at Galerie Ertaskiran..

Yann Pocreau, Les surfaces de lumière — Bénédicte Ramade, The Life of Colours

Ciel variable 111 - THE SPACE OF COLOUR | Portfolios
Authors: Bénédicte Ramade | Artists: Yann Pocreau

June 14, 2022 [originally published in CV111 in Winter 2019] — By Bénédicte Ramade. In one of his most recent series, Réponses à la peinture, Yann Pocreau establishes an interplay of brightly coloured superimpositions, transparencies, and opacities…

The Space of Couleur

Ciel variable 111 - THE SPACE OF COLOUR | Portfolios

[Winter 2019] From the manipulation of light (through filtering, combination, or diffraction) to work on the supporting medium (film, photographic paper, walls) to searching out pictorial compositions on city streets, a space of exploration opens up for photography around the various manifestations of colour. The result is images that challenge our perceptions. Often, the referent […]

Émilie Serri, The Space Between the Seconds – Émilie Serri, Searching for a Lost Country

Ciel variable 110 - MIGRATION | Portfolios
Authors: Émilie Serri | Artists: Émilie Serri

February 2, 2022 [originally published in CV110 in Fall 2018 ] — In March 2017, I crossed the country by train. On board The Canadian, I travelled a total distance of 8,932 kilometres on a return trip as a way to get moving on writing my master’s thesis…

Richard Mosse, The Castle – Sylvain Campeau, Human Traces

Ciel variable 110 - MIGRATION | Portfolios
Authors: Sylvain Campeau | Artists: Richard Mosse

January 26, 2022 [originally published in CV110 in Fall 2018 ] — As he had first done in 2011 and 2013 for Infra and The Enclave, Mosse uses a military tracking technology. In those series, it was an infrared film camera capable of detecting human presences in dense foliage…

Michel Huneault, Roxham – Sophie Bertrand, An Intersubjective Artwork for Rethinking the Phenomenon of Migrations

Ciel variable 110 - MIGRATION | Portfolios
Authors: Sophie Bertrand | Artists: Michel Huneault

January 19, 2022 [originally published in CV110 in Fall 2018] — Thanks to their inherent power, images may function to inform or to reinforce prejudices. For a number of years, photographer Michel Huneault has been concerned with deconstructing preconceived ideas about migratory issues. Each of his new series builds on the previous one…

Migration

Ciel variable 110 - MIGRATION | Portfolios

[Winter 2018] More than thresholds, borders have become a kind of non-place – extra-national zones – where migrants’ identities and statuses are examined and their statuses held in suspension for periods that are increasingly long and undetermined. In this issue, we examine certain aspects of the crossing of borders with works that explore how migrants […]

Carol Sawyer, The Natalie Brettschneider Archive – Ariane Noël de Tilly, Between Fiction and Reality: How to Shed Light
on Artists Who Have Been Left in the Shadows

Ciel variable 109 - REVISIT | Portfolios
Authors: Ariane Noël de Tilly | Artists: Carol Sawyer

November 10, 2021 [originally published in CV109 in Summer 2018 ] — For twenty years, Vancouver artist Carol Sawyer has constructed a speculative history around her character Natalie Brettschneider, through whom she has introduced the art practices of a number of previously overlooked artists who developed within alternative circles…

Charles Gagnon | Emmanuelle Léonard, Le huitième jour – Pierre Dessureault, Expo 67: The Christian Pavilion and Le huitième jour

Ciel variable 109 - REVISIT | Portfolios
Authors: Pierre Dessureault | Artists: Charles Gagnon, Emmanuelle Léonard

November 17, 2021 [originally published in CV109 in Summer 2018 ] — At Expo 67, a huge celebration of human progress and great festival of the image in all of its technological and expressive possibilities, the Christian Pavilion designed by Charles Gagnon offered a counterpoint to the event’s sea of triumphant optimism….

Blake Fitzpatrick and Vid Ingelevics, Freedom Rocks: The Everyday Life of the Berlin Wall – Jill Glessing, The Mobile Ruin and The Labour of Commemoration

Ciel variable 109 - REVISIT | Portfolios
Authors: Jill Glessing | Artists: Blake Fitzpatrick, Vid Ingelevics

December 1, 2021 [originally published in CV109 in Summer 2018 ] — Movement is elemental to existence. Since we made our slow crawl from sea to land we’ve been “on the road” seeking better environments. But another force – territorialism – counters that drive and stems our free flow with walls, great and small…

Revisit

Ciel variable 109 - REVISIT | Portfolios

[Spring-Summer 2019] The works brought together in this issue look back at significant phenomena and events in recent history to bring them back to memory and assess their current relevance. These are prolific works, with multiple iterations, that take forms as complex as their subjects: an entire field of artistic practices, pioneering works and pivotal […]

Iran, Année 38, Rencontres d’Arles – Claudia Polledri, « Persian Letters »

Ciel variable 108 - GOING PUBLIC | Portfolios
Authors: Claudia Polledri | Artists: Abbas Kiarostami, Abbas Kowsari, Arash Khamooshi, Azadeh Akhlaghi, Azin Haghighi, Babak Kazemi, Behnam Zakeri, Gohar Dashti, Kaveh Kazemi, Morteza Niknahad, Newsha Tavakolian, Shadi Ghadirian, Sina Shiri, Solmaz Daryani

[Winter 2018] By Claudia Polledri Written in Farsi on a white box abandoned on the black asphalt of Pahlavi Avenue in Tehran, the day after the Islamic revolution prevailed – on February 11, 1979 – is “The nation is victorious.” This is the first image in the exhibition Iran, Année 38,1 presented at the most […]

Gabor Szilasi, The Art World in Montreal, 1960‒1980 – Zoë Tousignant, On Emotion and the Photographic Archive

Ciel variable 108 - GOING PUBLIC | Portfolios
Authors: Zoë Tousignant | Artists: Gabor Szilasi

June 29, 2021 [originally published in CV108 in Winter 2018] — Photographer Gabor Szilasi was born in Hungary in 1928 and immigrated to Canada in 1957. Soon after settling in Montreal, Szilasi began to photograph the many art openings that he and his wife, artist Doreen Lindsay, regularly attended…

Justin Wonnacott, Pictures of Art – Laurent Vernet, An Oblique Gaze at Artworks in Public Spaces

Ciel variable 108 - GOING PUBLIC | Portfolios
Authors: Laurent Vernet | Artists: Justin Wonnacott

July 6, 2021 [originally published in CV108 in Winter 2018] — “Obsession”: that’s the word that photographer Justin Wonnacott uses to explain his ambitious project Pictures of Art (Images d’art). The subject of this series, which numbers 350 images to date, is the artworks found in public spaces and sites (monuments, works of public art and works integrated with architecture, graffiti) in the National Capital Region….

Going Public

Ciel variable 108 - GOING PUBLIC | Portfolios

[Winter 2018] This issue’s thematic section shows works that come from a wide variety of places and times, but all are marked by the notion of public visibility. These three bodies of work cover a wide spectrum of what defines the public space for artistic expression, ranging from the societal and cultural context that circumscribes […]

Joan Fontcuberta, Trauma – Sylvain Campeau, Autopsy of a Disappearance

Ciel variable 107 - RUINS | Portfolios
Authors: Sylvain Campeau | Artists: Joan Fontcuberta

January 11, 2021 [originally published in CV107 in Fall 2017] — In his work, Joan Fontcuberta explores the effects of the real and the capacity for truth generated by the technological image, in order to denounce the authoritarian discourses regarding information and knowledge. His other subjects include nature and the functions of the image in digital culture.

André Barrette, Fin de Siglo – Alexis Desgagnés, Fin de siècle in Cuba

Ciel variable 107 - RUINS | Portfolios
Authors: Alexis Desgagnés | Artists: André Barrette

January 18, 2021 [originally published in CV107 in Fall 2017] — André Barrette likely never wanted his art in the spotlight. That is why, outside of the community of artist-run centres in Quebec City, relatively little is known about his discreet but important contribution to Quebec photography landscape in recent decades.

Michel Campeau, The Donkey that Became a Zebra : histoires de chambre noire – Joan Fontcuberta, Fire, Prayers and the Place of Photography

Ciel variable 107 - RUINS | Portfolios
Authors: Joan Fontcuberta | Artists: Michel Campeau

January 25, 2021 [originally published in CV107 in Fall 2017] — Just when we thought we had all the answers to the enigma of our memory fixed in silver salts, life – without so much as a by-your-leave – changed the questions. Perhaps because life is not a problem to be solved, as Søren Kierkegaard said, but a reality to be experienced…

Ruins

Ciel variable 107 - RUINS | Portfolios
Artists: André Barrette, Joan Fontcuberta, Michel Campeau

[Fall 2017 ] — Thematic Introduction

Denis Farley, Espaces aériens – Daniel Fiset, Photographs Like Clouds

Ciel variable 106 - TREES, ICE, AND CLOUDS | Portfolios
Authors: Daniel Fiset | Artists: Denis Farley

September 1, 2020 [originally published in CV106 in Spring 2017] — Espaces aériens marks a turning point in Farley’s aesthetic, developed since the 1980s, of working mainly in documentation of landscape and architecture. In this series, he gradually abandons horizontal composition and aims his lens upward, letting layers of clouds dictate the composition and perturb the unified reading…

Alain Lefort, Eidôlon – Francine Paul, Hunting for Landscapes in the Spring of Glacial Figures

Ciel variable 106 - TREES, ICE, AND CLOUDS | Portfolios
Authors: Francine Paul | Artists: Alain Lefort

September 8, 2020 [originally published in CV106 in Spring 2017] — Since 2010, Lefort’s photographic series have evidenced his desire to go to increasingly remote regions alone to photograph natural phenomena; most recently, he has been intrigued by icebergs, huge in both dimensions and appeal…

Jocelyn Philibert, Arbres – Franck Michel, The Depths of the Landscape

Ciel variable 106 - TREES, ICE, AND CLOUDS | Portfolios
Authors: Franck Michel | Artists: Jocelyn Philibert

September 15, 2020 [originally published in CV106 in Spring 2017] — For more than ten years, Jocelyn Philibert has been photographing trees at night. This near-obsession was triggered during a summer spent in Saint-Jean-Port-Joli, on the bank of the St. Lawrence River. Having just acquired a small digital camera, he decided to go out and explore the vicinity of his cottage, photographing everything around him, after the sun went down…

TREES, ICE, AND CLOUDS

Ciel variable 106 - TREES, ICE, AND CLOUDS | Portfolios
Artists: Alain Lefort, Denis Farley, Jocelyn Philibert

At first glance, the works presented here might seem to be simply about work on a motif. A more attentive look, however, shows that what is indicated here, in this focus on trees, or icebergs, or clouds, is the shaping of natural elements by human action on a landscape that has become an environment. Jocelyn […]

Images of Montreal. Some notable projects on Montreal neighbourhoods – Pierre Dessureault

Ciel variable 105 – MONTREALITIES | Portfolios
Authors: Pierre Dessureault | Artists: Claire Beaugrand-Champagne, Clara Gutsche, David Miller, Gabor Szilasi, Michel Campeau, Miki Gingras, Patrick Dionne, Roger Charbonneau

May 12, 2020 [originally published in CV105 in Winter 2017] — Over the years, Montreal has been the subject of a number of major documentary projects. We might think of Gabor Szilasi’s prolific production – in particular, as he recorded development in the city, his photographs of St. Catherine Street (1977–79) in which he immortalized the configuration of the stores along the street…

Robert Walker, Hochelaga-Maisonneuve, Observations and Recollections – Pierre Dessureault, Looking at Hochelaga-Maisonneuve

Ciel variable 105 – MONTREALITIES | Portfolios
Authors: Pierre Dessureault | Artists: Robert Walker

February 5, 2020 [originally published in CV105 in Winter 2017] — For ten years, Robert Walker has been working on a project called Hochelaga-Maisonneuve: Observations and Recollections. The subtitle conveys the two aspects of his approach…

Montrealities

Ciel variable 105 – MONTREALITIES | Portfolios
Authors: Jacques Doyon | Artists: Claire Beaugrand-Champagne, Clara Gutsche, David Miller, Gabor Szilasi, Michel Campeau, Miki Gingras, Patrick Dionne, Robert Walker, Roger Charbonneau

[Winter 2017] Over the years, many photographers have explored Montreal and its neighbourhoods. Their images have captured portraits of residents, the colour and composition of the streets and commercial arteries, and the mixture of cultures that contribute to the quality and diversity of a city, as well as the commitment of residents who create the […]

Marisa Portolese, Belle de jour III: Dialogues with Notman’s Portraits of Women – James D. Campbell, More than Meets Her Eye: A Dimensional Portraiture

Ciel variable 104 - FROM ANOTHER ANGLE | Portfolios
Authors: James D. Campbell | Artists: Marisa Portolese

March 5, 2020 [originally published in CV104 in Fall 2016] — Montreal-based fine-art photographer Marisa Portolese has garnered well-deserved acclaim for the clarity and lush chromatic and emotional dimensionality of her images. The third instalment of her photographic series of portraits of women and girls titled Belle de jour marks something…

Outsiders: American Photography and Film, 1950s–1980s
 – Jill Glessing. Garry Winogrand, Diane Arbus, Nan Goldin and a Few Others . . .

Ciel variable 104 - FROM ANOTHER ANGLE | Portfolios
Authors: Jill Glessing | Artists: Garry Winogrand

March 10, 2020 [originally published in CV104 in Fall 2016] — The title that brings together the wild and woolly works in Outsiders: American Photography and Film, 1950s–1980s1 is worthy of consideration. The word “outside” depends on its semiotic partner in crime – “inside.” . . .

Yoanis Menge, HAKAPIK – Mona Hakim, Countering the Negative Image

Ciel variable 104 - FROM ANOTHER ANGLE | Portfolios
Authors: Mona Hakim | Artists: Yoanis Menge

March 12, 2020 [originally published in CV104 in Fall 2016] — HAKAPIK did not go unnoticed during its presentation at Occurrence. The subject was an attention-grabber: a report on the seal hunt by Yoanis Menge, a photographer from Îles de la Madeleine who totally immersed himself in the lives of groups of hunters off the coast of the Canadian North…

From Another Angle

Ciel variable 104 - FROM ANOTHER ANGLE | Portfolios
Authors: Jacques Doyon | Artists: Marisa Portolese, Yoanis Menge

[Fall 2016] With great sensitivity and remarkable image quality, the works brought together in this section offer a renewed gaze at discredited realities and experiences. They do this by showing us people in their living environments. And yet, it is not individuals that these works offer as much as a certain order of representation, certain […]

Isabelle Hayeur, Desert Shores (L’Amérique perdue) – Stephen Horne, Photographing In the Anthropocene

Ciel variable 103 - NATURE | Portfolios
Authors: Stephen Horne | Artists: Isabelle Hayeur

January 6, 2020 [originally published in CV103 in Spring 2016] — Dead trees, a few dried-up pigeons, some rotting fish, and broken-up cottages: what is the world that these make up? From the perspective of Montreal documentary photographer Isabelle Hayeur, this is a landscape – that is, a space inhabited with suburbs and industrial plants…

Geneviève Chevalier, Mon boisé, phase II – John K. Grande, My Woodland, or the Developers’?

Ciel variable 103 - NATURE | Portfolios
Authors: John K. Grande | Artists: Geneviève Chevalier

January 8, 2020 [originally published in CV103 in Spring 2016] — So pervasive have the interventions become that they challenge the stereotype of nature as an ongoing and seemingly inexhaustible eternal backdrop to all that we do. Our era is all about the intertwining of the human built landscape and the natural world…

Jessica Auer, January – James D. Campbell, Bluer than Blue

Ciel variable 103 - NATURE | Portfolios
Authors: James D. Campbell | Artists: Jessica Auer

January 13, 2020 [originally published in CV103 in Spring 2016] — Who better than a seasoned photographer to explore the phenomenology of light? Jessica Auer’s recent series January, created during a 2015 residency in Seyðisfjörður, Iceland, is a thematic work of great visual poetry…

Nature

Ciel variable 103 - NATURE | Portfolios
Artists: Geneviève Chevalier, Isabelle Hayeur, Jessica Auer

[Spring/Summer 2016] There are places where nature’s presence is more intensely felt, where the question of the city’s interrelations with its natural environment emerges more spontaneously. Certain circumstances are also conducive to raising such reflections – among them, sense of unfamiliarity experienced during a stay abroad, obvious deterioration in the equilibrium or beauty of a […]

Alejandro Cartagena, Carpoolers – Isa Tousignant, From the Northern to the Southern Suburbs

Ciel variable 102 - FAR AWAY, SO CLOSE | Portfolios
Authors: Isa Tousignant | Artists: Alejandro Cartagena

October 21, 2019 [originally published in CV102 in Winter 2016] — In the storybook that is Alejandro Cartagena’s oeuvre, Carpoolers is the chapter that comes between Suburbia Mexicana and What We Fight For. The artist, who works and lives in Monterrey, Mexico, has been researching and imaging urban sprawl and its impact for the last decade in photographs that mix a luscious kind of composed beauty with deep human interest…

Julian Germain, The Future is Ours, Classroom Portraits – Johanna Mizgala, Between Portraiture and the Documentary

Ciel variable 102 - FAR AWAY, SO CLOSE | Portfolios
Authors: Johanna Mizgala | Artists: Julian Germain

October 23, 2019 [originally published in CV102 in Winter 2016] — It started off in the northeast U.K., where I am based. I had received funding at the time to photograph in six particular schools. I realized pretty soon that it would be interesting to expand to other schools in different parts of the country, in that it was a way to make a portrait of the population…

Raymonde April, Near You No Cold – Charles Guilbert, To Photograph to Understand

Ciel variable 102 - FAR AWAY, SO CLOSE | Portfolios
Authors: Charles Guilbert | Artists: Raymonde April

October 28, 2019 [originally published in CV102 in Winter 2016] — For a Westerner travelling, it’s quite easy to take striking pictures of India. But what is being portrayed in these images is simply culture shock. One stays at a distance. Since I was in Mumbai to work, what was urgent for me was not so much to take pictures as to understand…

Far Away, So Close

Ciel variable 102 - FAR AWAY, SO CLOSE | Portfolios
Authors: Jacques Doyon | Artists: Alejandro Cartagena, Julian Germain, Raymonde April

[Winter 2016]   Globalization is making us more aware of the realities of the entire planet through news, visits, and business travel. In addition, urbanization and consumer markets are tending to bring cultures and lifestyles ever closer to each other. Even so, and fortunately, diversity and differences remain. What is more, the most radical forms […]

Marc-Antoine K. Phaneuf, Études préparatoires (dessins d’explosions) – Charles Guilbert, Logic of Excess

Ciel variable 101 - STRATA | Portfolios
Authors: Charles Guilbert | Artists: Marc-Antoine K. Phaneuf

August 7, 2019 [originally published in CV101 in Fall 2015] — Since 2012, Marc-Antoine K. Phaneuf has been working on a series of artworks titled Études préparatoires (dessins d’explo­sions), which he has presented in various venues and contexts. As he has often done in the past, Phaneuf revives found objects by inscribing them in a system of his own making.

Moyra Davey, Copperheads – Isa Tousignant, Heads of State of the Art of Money

Ciel variable 101 - STRATA | Portfolios
Authors: Isa Tousignant | Artists: Moyra Davey

August 12, 2019 [originally published in CV101 in Fall 2015] — Moyra Davey’s Copperheads series has had a few existences. It was born in 1990, soon after the Canadian-born artist moved to New York, where she still resides. In those early days it was a project that lived a practically private life…

Adam Broomberg & Oliver Chanarin. Scarti – Paul Paper, Reason for photography in Dustbin

Ciel variable 101 - STRATA | Portfolios
Authors: Paul Paper | Artists: Adam Broomberg, Oliver Chanarin

August 15, 2019 [originally published in CV101 in Fall 2015] — Scarti is a recent photographic series, and a book of the same title, by Adam Broomberg and Oliver Chanarin. The project revives the photographers’ 2003 series Ghetto. It is, however, by no means a straight reprint. The title – Italian for “scraps” – gives away an important aspect of this reuse…

Strates | Strata

Ciel variable 101 - STRATA | Portfolios
Authors: Alexis Desgagnés | Artists: Adam Broomberg, Marc-Antoine K. Phaneuf, Moyra Davey, Oliver Chanarin

In geology, the concept of stratification refers to a process during which sediments accumulate in layers, which eventually form more or less heterogeneous sedimentary ensembles but nevertheless remain distinct units of meaning. We often find such ensembles on the edges of paths or roads; they offer the possibility of a simultaneous reading of many strata […]

Althea Thauberger, Marat, Sade, Bohnice / Geneviève Chevalier, The Revolution of Marat, Sade, Bohnice

Ciel variable 100 - REPLAY | Portfolios
Authors: Geneviève Chevalier | Artists: Althea Thauberger

May 21, 2019 [originally published in CV100 in Spring 2015] — From the opening credits, the title of The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade as Performed by the Prague-based Experimental Theatre Company Akanda for the Patients and Staff of the Bohnice Psychiatric Hospital announces the work’s device….

Chuck Samuels, The Photographer – Chuck Samuels, The Ventriloquist’s Dummy: Another interview

Ciel variable 100 - REPLAY | Portfolios
Authors: Chuck Samuels | Artists: Chuck Samuels

May 22, 2019 [originally published in CV100 in Spring 2015] — Chuck Samuels: In Before the Camera, you presented yourself in drag to look at the female nude in the history of photography; in Psychoanalysis, you appeared as both the Norman Bates and the Marion Crane characters; in Before Photography, you assumed the roles of photographers in film stills from a specific era…

Adad Hannah & Denys Arcand, Les Bourgeois de Vancouver – Sébastien Hudon, The People of Bronze

Ciel variable 100 - REPLAY | Portfolios
Authors: Sébastien Hudon | Artists: Adad Hannah, Denys Arcand

May 28, 2019 [originally published in CV100 in Spring 2015] — As far back as 2002, multidisciplinary artist Adad Hannah was citing a work by French sculptor Auguste Rodin in his own work. It has been thirteen years since he produced Stills, composed of video captures of Rodin’s first bronze, The Age of Bronze (1877). At the time, no one would have guessed that this was the first manifestation of Hannah’s unique and constant fascination with the Parisian master…

Replay

Ciel variable 100 - REPLAY | Portfolios
Authors: Jacques Doyon | Artists: Adad Hannah, Althea Thauberger, Chuck Samuels, Denys Arcand

Appropriating visual artworks, as one interprets the works in a repertoire: here, a sculpture by Rodin, self-portraits of famous photographers, and a play whose writing is attributed, as part of the fiction, to an author of another era. Judging that, among all the works that exist, these ones still resonate sufficiently in the eyes and […]

Normand Rajotte, Le chantier – Caroline Loncol Daigneault, In the Eye of the Beaver

Ciel variable 99 - HABITAT | Portfolios
Authors: Caroline Loncol Daignault | Artists: Normand Rajotte

March 13, 2019 [originally published in CV99 in Winter 2015] — Le chantier: the first image. Through marks and lines – green, taupe, orange – a wet woodlands glistens. In the foreground, three black tree trunks. The one in the centre is cut open at the base, showing freshly gnawed yellow flesh. It partially hides a pile of branches arranged in an outwardly spreading form – the key, the sun of the image…

Allison Tweedie, Cutting Sunsets – Gentiane La France, Domesticated Landscapes

Ciel variable 99 - HABITAT | Portfolios
Authors: Gentiane La France | Artists: Allison Tweedie

March 18, 2019 [originally published in CV99 in Winter 2015] — The series Cutting Sunsets is composed of small-format collages portraying scenes of daily life around affluent dwellings on the American west coast. A few people, here and there, quietly tend to their land, do maintenance, contemplate, walk around, and converse…

Steve Veilleux, Projections – Sébastien Hudon, An Achievable Dystopia

Ciel variable 99 - HABITAT | Portfolios
Authors: Sébastien Hudon | Artists: Steve Veilleux

March 20, 2019 [originally published in CV99 in Winter 2015] — One can easily imagine the scene, so banal that it is universal. On a moonless night, its highbeams blazing, a new car, with a new couple inside, rolls down a remote road, far from the bustle of the city. The passengers, the nuclear family of the post-atomic era, already see themselves there, deluded by the illusion of an extraordinary suburb – one of a thousand similar suburbs…

Stephen Gill, Pigeons – Iain Sinclair, Bridge Fishing

Ciel variable 99 - HABITAT | Portfolios
Authors: Iain Sinclair | Artists: Stephen Gill

March 25, 2019 [originally published in CV99 in Winter 2015] — Our expeditions usually begin at first light. This time, Stephen explained, we would be better to hold off until the worst of the rush hour had burnt itself out. I sat on the church porch and waited, admiring a procession of those bright-red sculptural interventions held long enough at the traffic lights to catch the appreciative eye, the new Stagecoach buses with the NOT IN SERVICE destination windows…

Habitat

Ciel variable 99 - HABITAT | Portfolios
Authors: Alexis Desgagnés | Artists: Allison Tweedie, Normand Rajotte, Stephen Gill, Steve Veilleux

So, here we are, humans and animals (the same thing, really), perforce engaged in the concrete and naked fact of existing. We are – the verb says it with the force of law – sunk into being like a foundation is sunk into the ground. For as long as the few hours, days, or decades […]

Henri Venne, Somewhere in Between – Sylvain Campeau, Painting Indebted to Photography

Ciel variable 98 – ABSTRACTION | Portfolios
Authors: Sylvain Campeau | Artists: Henri Venne

January 14, 2019 [originally published in CV98 in Fall 2014] — Henri Venne is a painter. It is painted matter that interests him. It is in this medium that he was educated, and it is also how he defines himself. Henri Venne is also a photographer, as the works that emerge from his creative process are photographs. He is also interested in how images are imbued with visual effects, places for various reflections…

Lorna Bauer | Jon Knowles – Jacinthe Lessard-L. / Charles Guilbert, Images in the Void (and Vice Versa)

Ciel variable 98 – ABSTRACTION | Portfolios
Authors: Charles Guilbert | Artists: Jacinthe Lessard-L., Jon Knowles, Lorna Bauer

January 16, 2019 [originally published in CV98 in Fall 2014] — It is quite uncommon for the association of two exhibitions to create a dialogue that becomes an artwork in itself. Yet, this is what Dazibao did by bringing together works by Jacinthe Lessard-L. and by the duo formed of Lorna Bauer and Jon Knowles. Their respective works, although different in tonality and look, intertwine to lead viewers into a surprising reflection on darkness…

Thomas Ruff, Photograms – Jacinto Lageira, Gradations of Reality

Ciel variable 98 – ABSTRACTION | Portfolios
Authors: Jacinto Lageira | Artists: Thomas Ruff

January 21, 2019 [originally published in CV98 in Fall 2014] — Given the impossible computer-made “photograms” in Thomas Ruff’s recent series – thus in line with Moholy-Nagy’s idea that one can make photographs without a camera (he made his own photograms) – we must immediately consider either a broadening of the notion of photography or its being subsumed, pure and simple…

Abstraction

Ciel variable 98 – ABSTRACTION | Portfolios
Artists: Henri Venne, Jacinthe Lessard-L., Jon Knowles, Lorna Bauer, Thomas Ruff

These abstract works involving simple forms evoke methods of analogue photography to challenge the degree of veracity of the image. Imprint, inversion, and casting are some of the components transposed into other artistic media to re-evaluate our capacity to apprehend the real. THOMAS RUFF Photograms Thomas Ruff’s images, made with 3D digital imaging software, are […]

Gabriel Coutu-Dumont, The Way of the Willows – Claire Moeder, A New Wrinkle in Portraiture

Ciel variable 97 - PORTRAIT GALLERY | Portfolios
Authors: Claire Moeder | Artists: Gabriel Coutu-Dumont

October 29, 2018 [originally published in CV97 in Spring 2014] — In Glasgow, the artist Gabriel Coutu-Dumont set up a minimal photography studio on Sauchiehall Street, a street frequented by the city’s night owls. For several nights, he drew these passersby away from the tumult of the street and asked them to pose in front of an analog camera for a twenty-minute session. The result was The Way of the Willows, a gallery of eighty anachronistic portraits in which the classical composition contrasts with the signs of the models’ contemporary lives…

Christian Tagliavini, 1503 | Dame di cartone – Johanna Mizgala, Mannerism, Medici, and Madmen: Christian Tagliavini’s Photographic Mise-en-scène

Ciel variable 97 - PORTRAIT GALLERY | Portfolios
Authors: Johanna Mizgala | Artists: Christian Tagliavini

November 2, 2018 [originally published in CV97 in Spring 2014] — Portraits are deceptively alluring: we are immediately attracted to admiring the faces of others. As we are drawn under their spell, the images reveal themselves to be carefully crafted manifestations that must be decoded to be fully understood…

Pierre Gonnord, Portraits – Pierre Rannou, The Intensity of the Gaze

Ciel variable 97 - PORTRAIT GALLERY | Portfolios
Authors: Pierre Rannou | Artists: Pierre Gonnord

November 5, 2018 [originally published in CV97 in Spring 2014] — Pierre Gonnord’s photographic portraits are fascinating for the experience that they offer us. The models gaze straight at the photographer’s lens, and we are taken aback: we feel like they are staring at us…

Portrait Gallery

Ciel variable 97 - PORTRAIT GALLERY | Portfolios
Artists: Christian Tagliavini, Gabriel Coutu-Dumont, Pierre Gonnord

Three approaches to the portrait sustained by pictorial references and knowledge manifested in chiaroscuro, framings and poses, texture and draping of fabrics, head positions, and, above all, the gazes. And techniques that ennoble their subjects. PIERRE GONNORD Portraits Strong presences with imposing gazes, and yet revealed with a sort of humility. Pierre Gonnord approached anonymous […]

Kim Waldron, Beautiful Creatures – Sonia Pelletier, On the Job or in the Work

Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Authors: Sonia Pelletier | Artists: Kim Waldron

August 20, 2018 [originally published in CV96 in Winter 2014] — Over the years, it has been possible to observe a strong trend in Kim Waldron’s photographic work  – a central theme or modus operandi that has been evident in her projects since the very beginning. The artist usually appears in her images, but although she is the central subject, she is not really performing a “spectacle of the self.” …

Marisa Portolese, Antonia’s Garden – Isa Tousignant, Tending the Garden

Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Authors: Isa Tousignant | Artists: Marisa Portolese

August 22, 2018 [originally published in CV96 in Winter 2014] — Walk around in early winter and you may just spot a dash of colour peeking through from under the first coats of snow that blanket the front gardens. That’s a carnation. Long after the peonies, lilies, and daffodils have gone, this sturdy flower still shines its bright hues, in defiance of the season of death…

Jacynthe Carrier, Les Eux – Anne-Marie St-Jean Aubre, The Function of the Gaze in the Work of Jacynthe Carrier

Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Authors: Anne-Marie St-Jean Aubre | Artists: Jacynthe Carrier

August 22, 2018 [originally published in CV96 in Winter 2014] — Up to now, a certain conception of painting came to mind when I thought of Jacynthe Carrier’s photographic and videographic work, not only because of the emphasis that she places on composition and narration in the creation of her works, but especially because of the type of gaze that these works draw…

Performing for the image

Ciel variable 96 – PERFORMING FOR THE IMAGE | Portfolios
Artists: Jacynthe Carrier, Kim Waldron, Marisa Portolese

These three montreal artists have in common the performative dimension of the images in their works. Bodies are staged in situations of intimacy, intrusion, or sacrifice to highlight how loved ones, strangers, and animals help to form our identity. JACYNTHE CARRIER Les Eux Here, we are as close as possible to bodies, in an interwoven […]

Land/Slide, An exhibition on possible futures – Janine Marchessault, Activating the Archives

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Janine Marchessault | Artists: Dave Colangelo, Jean-Michel Crettaz, Jennie Suddick, Mark-David Hosale, Michael Snow, Patricio Davila, Philip Hoffman

May 22, 2018 [originally published in CV95 in Fall 2013] — Images are connected to our physical environments more dramatically than ever before – literally opening up new spaces of interactivity and connection that transform the experience of being in the city, its semiotic forms, and its modes of public gathering, navigation, and movement…

Janet Cardiff and George Bures Miller, Alter Bahnhof Video Walk – Christine Ross, The Affective Historicization of Public Spaces

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Christine Ross | Artists: George Bures Miller, Janet Cardiff

May 23, 2018 [originally published in CV95 in Fall 2013] — Since the 1990s, spatial art – a category that has broadened to include installation, architectural environments, relational interventions, (…) – has led to a major redefinition of the relationship between art and the public space…

Karen Elaine Spencer, Hey! Mike – Daniel Fiset, Textualizing Space, Spatializing Discourse

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Daniel Fiset | Artists: Karen Elaine Spencer

May 28, 2018 [originally published in CV95 in Fall 2013] — In the autumn of 2012, a large brown envelope addressed to me arrived at my apartment. Inside it was a signed inkjet print of a colourful typographic exercise, announcing via an enigmatic sentence – hey mike please wipe up any spills that may occur – the genesis of the latest project by Montreal artist Karen Elaine Spencer…

Jon Rafman, 9 eyes – Christelle Proulx, The Nine Eyes of Google Street View

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Christelle Proulx | Artists: Jon Rafman

May 30, 2018 [originally published in CV95 in Fall 2013] — The “nine eyes” in Jon Rafman’s project refer to the photographic device mounted on the roofs of Google cars. These cars have been travelling the world’s roads since 2007, equipped with cameras with nine lenses, taking pictures of streets – images automatically in street view – for use with the Google Maps tool…

Dominic Gagnon, La trilogie du Web – Élène Tremblay, Cameraless remote documentaries

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Élène Tremblay | Artists: Dominic Gagnon

June 4, 2018 [originally published in CV95 in Fall 2013] — In his Web trilogy – the films RIP in Pieces America, Pieces and Love All to Hell, and Big Kiss Goodnight (2009–13) – Dominic Gagnon finds video excerpts on the Internet, which he describes as a cinémathèque or film archive, and recombines them to produce what he calls “films about people who film themselves.”

Reciprocities: Some Reflections on Not-so-illogical Conjunctions – Suzanne Paquet

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Suzanne Paquet

June 6, 2018 [originally published in CV95 in Fall 2013] — Roland Barthes once attempted to define the nature of photography as “a new category of space-time: spatial immediacy and temporal anteriority.” In the photograph, he wrote, was produced “an illogical conjunction between the here-now and the there-then.” Some thirty years later, Francis Jauréguiberry remarked that there is always a great deal of elsewhere in our here; he was talking about the portable telephone…

Guest editor: Suzanne Paquet

Ciel variable 95 – CYBER / ESPACE / PUBLIC | Portfolios
Authors: Suzanne Paquet

With essays by Suzanne Paquet, Élène Tremblay, Christelle Proulx, Daniel Fiset, Christine Ross, Janine Marchessault and works by Dominic Gagnon, Jon Rafman, Karen Elaine Spencer, Janet Cardiff et George Bures Miller and the exhibition Land/Slide: Possible Futures Even though, in the view of many authors, it seems that we are now living only in the […]

Patrick Dionne et Miki Gingras, Identité Centre-Sud – Pierre Rannou, Beyond a Neighbourhood, a Community

Ciel variable 94 – PUBLIC ART | Portfolios
Authors: Pierre Rannou | Artists: Miki Gingras, Patrick Dionne

March 21, 2018 [originally published in CV94 in Spring 2013] — Far from fitting the image of picture chasers and big-time reporters, Patrick Dionne and Miki Gingras seem, rather, to present themselves as pedagogues of photography, as their projects are intended both to document the contemporary world and to teach the rudiments of photography…

Dominique Auerbacher, Scratches – Emmanuel Hermange, Through a Tramcar Window-Screen

Ciel variable 94 – PUBLIC ART | Portfolios
Authors: Emmanuel Hermange | Artists: Dominique Auerbacher

March 26, 2018 [originally published in CV94 in Spring 2013] — Dominique Auerbacher’s early career was bound up in the emergence of photographic commissions devoted to landscape in Europe, starting with the Mission photographique de la Datar, which brought her to the public eye in the mid-1980s. She sparked a lively debate by choosing, against all expectations, to photograph a number of major European cities…

Nicolas Baier, Autoportrait – Sylvain Campeau, Transiting through Photography

Ciel variable 94 – PUBLIC ART | Portfolios
Authors: Sylvain Campeau | Artists: Nicolas Baier

March 26, 2018 [originally published in CV94 in Spring 2013] — To judge by his works, Nicolas Baier has never been anything but a photographer, as these works are replete with all the potentialities, components, and mechanisms of the medium. This is so even when the works he creates are not photographic…

Public Art

Ciel variable 94 – PUBLIC ART | Portfolios
Artists: Dominique Auerbacher, Miki Gingras, Nicolas Baier, Patrick Dionne

[Spring/summer 2013] A thematic section on public art featuring the works of nicolas baier, dominique auerbacher, and patrick dionne and Miki gingras, highlighting the issues of community affirmation in the public space and the revelation, or contestation, of its customs and regulations. Somewhere between group portrait, “objective” self-portrait, and urban anti-aesthetic . . . NICOLAS […]

Phil Chadwick, Creative Scene Investigation – Bénédicte Ramade, Tom Thomson in the Light of Forensic Meteorology

Ciel variable 93 – FORENSICS | Portfolios
Authors: Bénédicte Ramade | Artists: Phil Chadwick

December 20, 2017 [originally published in CV93 in Winter 2013] — Meteorology is a science of prediction. Every day, 2.5 quintillion bytes of information are analyzed in order to anticipate precipitation, predict temperatures, and so on.1 The weather report, on tv or radio, has become an indispensable barometer, and there are now countless weather “aps” available…

Emmanuelle Léonard, Homicide, Détenu Vs Détenu, Archives Du Palais De Justice De La Ville De Québec – Gaëlle Morel, Opening Up Forensic Photography

Ciel variable 93 – FORENSICS | Portfolios
Authors: Gaëlle Morel | Artists: Emmanuelle Léonard

December 20, 2017 [originally published in CV93 in Winter 2013] — After devoting a number of projects to the world of work, Montreal photographer and videographer Emmanuelle Léonard investigates the notions of visual traces and information in her most recent works…

William E. Jones, Tearoom. The Trial of the Incriminating Image – Vincent Lavoie

Ciel variable 93 – FORENSICS | Portfolios
Authors: Vincent Lavoie | Artists: William E. Jones

January 10, 2018 [originally published in CV93 in Winter 2013] — In the summer of 1962, the Mansfield, Ohio, police department, convinced that homosexual practices created a predisposition to perpetrate serious predatory crimes, decided to put the public restroom in a large park in its town under surveillance. The site was suspected of being the scene of clandestine sexual activities…

Paul Vanouse, Suspect Inversion Center – Marianne Cloutier, The Imaginary of Forensics

Ciel variable 93 – FORENSICS | Portfolios
Authors: Marianne Cloutier | Artists: Paul Vanouse

January 15, 2017 [originally published in CV93 in Winter 2013] — The American artist Paul Vanouse, known for his collaboration with the collective Critical Art Ensemble, has had a practice involving diversion since the early 1990s. He appropriates techniques, tools, materials1 , and knowledge from the techno-sciences in order to better examine what is at stake in those disciplines…

Corinne May Botz, The Nutshell Studies of Unexplained Death – Alexis Lussier, A Residue of Uneasiness

Ciel variable 93 – FORENSICS | Portfolios
Authors: Alexis Lussier | Artists: Corinne May Botz

January 17, 2017 [originally published in CV93 in Winter 2013] — Ever since Alphonse Bertillon (1853–1914) first took his metric photographs, in which he tried to produce accurate maps of crime scenes, legal photography has always been, in spite of itself, a “photography of interiors.” This involved considerable technical constraints (cramped quarters with no place to pull back, poor of insufficient lighting, and so on), as Rodolphe Reiss (1875–1929) often demonstrated…

Errol Morris, Standard Operating Procedure – Susan Schuppli, Probative Images

Ciel variable 93 – FORENSICS | Portfolios
Authors: Susan Schuppli | Artists: Errol Morris

January 22, 2017 [originally published in CV93 in Winter 2013] — Standard Operating Procedure, directed by Errol Morris, offers a concise example of a methodological shift – what we (in the European Research Council project that I am affiliated with) have elsewhere called a forensic turn – within the investigation of human rights violations and war crimes…

Forensics: Representations and Regimes of Truth – Vincent Lavoie

Ciel variable 93 – FORENSICS | Portfolios
Authors: Vincent Lavoie | Artists: Taryn Simon

January 24, 2017 [originally published in CV93 in Winter 2013] — On 6 June 1985, the international press was invited to the small Embu das Artes cemetery in Brazil to witness an extraordinary discovery. A team of police officers and medico-legal experts had just exhumed the presumed remains of Josef Mengele, the Nazi doctor at Auschwitz. A series of photographs taken on this occasion by reporter Robert Nickelsberg show the press’s infatuation with this event…

Guest editor: Vincent Lavoie

Ciel variable 93 – FORENSICS | Portfolios
Authors: Vincent Lavoie

Since the 1990s, there has been a rise to pre-eminence of forensic imaginaries. This phenomenon can be observed in contemporary literature, as in novels by Kathy Reichs (Déjà Dead, 1997), herself a forensic anthropologist by profession, and in television series (Crime Scene Investigation, 2000; Forensic Files, 2000; Bones, 2005) that promulgate a belief in the […]

Eamon Mac Mahon, Landlocked – Isa Tousignant, The View from Up Here : Perspective on the Wild

Ciel variable 92 – TRUE NORTH | Portfolios
Authors: Isa Tousignant | Artists: Eamon Mac Mahon

October 23, 2017 [originally published in French in CV92 in Fall 2012] — My first encounter with Canadian photographer and artist Eamon Mac Mahon was when I worked as an editor for a travel magazine, at which he was the stuff of local legend. He had shot a story about the Bahamas for which he’d risked life and limb: on a tiny, rickety plane with, lore dictates, more holes than a fisherman’s net, he hung out of the main cavity – tied in place with only a rope – to capture aerial shots of the turquoise swirling waters. The story won awards.

Andreas Rutkauskas, Virtually There – Geneviève Chevalier, Hiking the Trails of What Is to Come

Ciel variable 92 – TRUE NORTH | Portfolios
Authors: Geneviève Chevalier | Artists: Andreas Rutkauskas

October 25, 2017 [originally published in French in CV92 in Fall 2012] — I found out about the Virtually There project in 2009 during a brief visit to the Gushul Studio, which offers a residency program run by the University of Lethbridge in Alberta. At the time, Andreas Rutkauskas was staying there and preparing to make another of his outings in the mountains. The Gushul Studio is located in the small town of Blairmore, in the Crowsnest Pass area of the Rocky Mountains in the southwest part of Alberta…

Thomas Kneubühler, Under Currents – Pierre Dessureault, Currents

Ciel variable 92 – TRUE NORTH | Portfolios
Authors: Pierre Dessureault | Artists: Thomas Kneubühler

October 30, 2017 [originally published in French in CV92 in Fall 2012] — Thomas Kneubühler’s Under Currents takes us through the hydroelectric installations at James Bay and the complex network of exchanges between North and South that their construction has established. What is initially striking in this coherent whole is the rigorous organization of various elements in a series of groupings to form a well-marked path that is constructed bit by bit, in successive layers, with each of the carefully defined and delimited components opening new perspectives and adding a stratum of meaning to the plural discourse that has been set in motion.

True North

Ciel variable 92 – TRUE NORTH | Portfolios
Artists: Andreas Rutkauskas, Eamon Mac Mahon, Thomas Kneubühler

Three experiences of the north, real or perceived, that bring us face to face with the realities of a little-known region undergoing accelerated transformation. The north is at once home to a sparse population, an ecosystem vital to the entire continent, and a vast resource base that is in the sights of developers as ever […]

Jacky Georges Lafargue et Louis Couturier, Resolute Bay : Voyage du jour dans la nuit – Sonia Pelletier, A Wall of Snow, or Northern Studies Visited

Ciel variable 91 – OUR WORLD | Portfolios
Authors: Sonia Pelletier | Artists: Jacky Georges Lafargue, Louis Couturier

August 21, 2017 [originally published in CV91 in Spring 2012] — Jacky Georges Lafargue and Louis Couturier’s project Resolute Bay – Voyage du jour dans la nuit finds a way to take viewers on a sort of voyage to the far reaches of our country and an encounter with people who live in a remote Inuit village with only about two hundred inhabitants…

Tendance Floue : MAD IN INDIA – Bruno Chalifour, A Future to Define

Ciel variable 91 – OUR WORLD | Portfolios
Authors: Bruno Chalifour | Artists: Tendance Floue

August 23, 2017 [originally published in CV91 in Spring 2012] — Tendance Floue is a collective of French photographers open to the world and the power of expression who reject labels and preconceptions. They are fascinated by the aesthetic possibilities that documentary photography, which they see as subjective, may offer them – whence, no doubt, the name of their group: “Tendance” (tendency), which tends toward without ever reaching the goal, and “Floue” (vague or blurred), resolutely evading precise definitions. The result?…

Edward Burtynsky, Oil – Sylvain Campeau, Between the Perceptible and the Ethical

Ciel variable 91 – OUR WORLD | Portfolios
Authors: Sylvain Campeau | Artists: Edward Burtynsky

August 28, 2017 [originally published in CV91 in Spring 2012] — The images are supreme. Of rather respectable dimensions – when they are not downright immense – and brightly coloured, they please us, dazzle us, force us to admire them. They show landscapes, openings into our immediate environment. But this environment does not have the bucolic accents of yore, for it is increasingly occupied by signs of exploitation of natural resources. Its wild – truly wild – territories are rarer and rarer…

Patrick Dionne et Miki Gingras, Mémoire – Sylvain Campeau, Self-document and Rediscovered Sociability

Ciel variable 90 – COLLABORATIONS | Portfolios
Authors: Sylvain Campeau | Artists: Miki Gingras, Patrick Dionne

May 29, 2017 [originally published in CV90 in Winter 2012] — For a number of years, Patrick Dionne and Miki Gingras have been working on large-scale photographic projects that encourage artistic engagement in society. In 2002, to better fulfil this mission, they founded Diasol, a charitable organization the objective of which is to use art photography as a means of intervention with marginalized people and young people and adults with difficulties with school or family, in psychological distress, or in the process of social reintegration.

MoAD, The face of African Diaspora – Alexandra Martin, Old and New Photographs of African Diaspora

Ciel variable 90 – COLLABORATIONS | Portfolios
Authors: Alexandra Martin

May 31, 2017 [originally published in CV90 in Winter 2012] — In downtown San Francisco, at the corner of Mission and Third streets, is a huge picture window before which passersby can stop to look at a photo-mosaic several metres high inspired by the famous portrait Girl from Tamale (1973) by Chester Higgins Jr., which is also one of the “tiles” in the mosaic.

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