Archives

Catherine Bodmer — Emmanuelle Choquette

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Emmanuelle Choquette | Artists: Catherine Bodmer

[Winter 2022] Galerie B-312, Montréal 7.05.2021 — 23.06.2021 By Emmanuelle Choquette [Excerpt] The exhibition Synonymes is an outcome of Catherine Bodmer’s long-term research conducted during residencies in Mexico City between 2010 and 2018. Pairing photography and text, the body of work on display in Galerie B-312’s two exhibition spaces addresses Bodmer’s relationship, developed over time, […]

Françoise Sullivan — Didier Morelli

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Didier Morelli | Artists: Françoise Sullivan

[Winter 2022] Galerie de l’UQAM, Montreal 14.05.2021 — 16.07.2021 By Didier Morelli [Excerpt] Even in her nineties, the seminal Quebec interdisciplinary artist Françoise Sullivan never ceases to inspire. Françoise Sullivan: The 1970s, organized by the Galerie de l’UQAM, delves into her experimentation five decades ago, with particular attention to her time in Italy. Filmed and […]

Lorenza Böttner — Fanny Bieth

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Fanny Bieth | Artists: Lorenza Böttner

[Winter 2022] Galerie Leonard & Bina Ellen, Montréal 29.04.2021 — 19.06.2021 By Fanny Bieth [Excerpt] Lorenza Böttner: Requiem for the Norm is the first international retrospective exhibition for the Chilean-German artist Lorenza Böttner, a trans person who lost both arms as a child following an accident. Böttner’s practice and life embody, to use the words […]

Dawit L. Petros — Claudia Polledri

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Claudia Polledri | Artists: Dawit L. Petros

[Winter 2022] Galerie Bradley Ertaskiran, Montréal 3.09.2021 — 30.10.2021 By Claudia Polledri [Excerpt] Gaps, holes, fissures, and frictions – the title defines the perimeter of the exhibition by Eritrean artist Dawit L. Petros, presented as part of the Momenta 2021 satellite program. In this show, composed of photographs and serigraphs on paper and canvas, Petros, […]

Sylvie Readman, Denis Rioux — Mona Hakim

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Mona Hakim | Artists: Denis Rioux, Sylvie Readman

[Winter 2022] Galerie Laroche/Joncas, Montréal 8.09.2021 — 9.10.2021 By Mona Hakim [Excerpt] Presented in a single exhibition space and arranged facing each other, the photographs of Sylvie Readman and Denis Rioux highlight their common concern with the issues and properties of the photographic language within which the primary conditions of the visual and conceptual experience […]

Dawoud Bey — Ariane Noël de Tilly

Ciel variable 119 - AGAINST NATURE | Exhibition reviews
Authors: Ariane Noël de Tilly | Artists: Dawoud Bey

[Winter 2022] Whitney Museum of American Art, New York 17.04.2021 — 3.10.2021 By Ariane Noël de Tilly [Excerpt] Since the very inception of his photographic career, Dawoud Bey has pointed his lens toward people and, especially, marginalized communities. The retrospective of his work presented at the Whitney Museum of American Art highlighted the ethical dimension […]

James Coleman, What Goes Around Comes Around — Stephen Horne

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Stephen Horne | Artists: James Coleman

[Winter 2022] By Stephen Horne “A being racing into the future passes a being racing into the past two footprints perpetually obliterating one another toe to heel, heel to toe.” – W. B. YEATS 1 [Excerpt] James Coleman´s complex cinematic installations disclose the beauty and pleasure of “looking.” The aesthetic experience to which I refer […]

Errance Sans Retour, “They also killed my father” — Pierre Dessureault

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Pierre Dessureault | Artists: Renaud Philippe

[Winter 2022] By Pierre Dessureault [Excerpt] “We are not in front of the images; we are in the middle of them. Like they are in the middle of us. The question is how we circulate among them, how we make them circulate.”1 The life of images, constantly relaunched in various presentation contexts, is core to […]

Et fili ? Cultural Transmission and the Quebec Photobook — Michel Hardy-Vallée

Ciel variable 119 - AGAINST NATURE | Essays
Authors: Michel Hardy-Vallée | Artists: Anne-Marie Proulx, Bertrand Carrière, Charles-Frédérick Ouellet, Donigan Cumming, Florence Le Blanc, Guillaume Simoneau, John Max, Matthieu Brouillard, Michel Campeau, Sylvain Cousineau

[Hiver 2022] By Michel Hardy-Vallée [Excerpt] It’s a lovely image: my father, who had been taking photographs since the 1960s, had given me his Beseler 23C II enlarger. I went to pick it up in order to flesh out my amateur darkroom, and I was thinking about transmission of culture. The caption might have quoted […]

Andreas Rutkauskas, Refuge: After the Fire — Franck Michel, The Resilience of Landscapes

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Franck Michel | Artists: Andreas Rutkauskas

[Winter 2022] By Franck Michel The landscape enwraps, penetrates, it is not before one as an object. . . . It is an atmosphere, a sensory halo, and not simply a visual through-line. – DAVID LE BRETON [Excerpt] The history of landscape photography offers an incomparable source of information on the evolution of territories […]

Thomas Kneubühler, Alpine Signals — Louis Perreault, Without Data Loss

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Louis Perreault | Artists: Thomas Kneubühler

[Winter 2022] By Louis Perreault [Excerpt] In the first photograph in Alpine Signals, the immaculate white of a horse’s mane offers a reminder of the clouds that overhang the distant mountains. The blue sky spreads above the shrubs positioned in the centre of the composition, which pick up the colour of the verdant nature in […]

Geneviève Chevalier, Mirement/Towering : La Ménagerie et L’Herbier — Sylvain Campeau, Arranging the Living

Ciel variable 119 - AGAINST NATURE | Portfolios
Authors: Sylvain Campeau | Artists: Geneviève Chevalier

[Winter 2022] By Sylvain Campeau [Excerpt] Over the last few years, artist Geneviève Chevalier has become interested in places and methods of classification used in the natural sciences to inventory and analyze ﬂora and fauna. Menageries were, in a way, the ancestors of museums. They contained both collections and live exotic animals, but as an […]

Against Nature

Ciel variable 119 - AGAINST NATURE | Portfolios
Artists: Andreas Rutkauskas, Geneviève Chevalier, Thomas Kneubühler

[Winter 2022] The title might seem paradoxical, as the artists brought together for this issue’s thematic section are all defenders and lovers of nature and spend a good deal of time in it. But what their works reveal is a “naturality” thoroughly permeated by human activity and entirely shaped by it, implying that its fate […]

Against Nature?

Ciel variable 119 - AGAINST NATURE | Editorial
Authors: Jacques Doyon

[Winter 2022] Par Jacques Doyon The title might seem paradoxical, as the artists brought together for this issue’s thematic section are all defenders and lovers of nature and spend a good deal of time in it. But what their works reveal is a “naturality” thoroughly permeated by human activity and entirely shaped by it, implying […]

Ciel variable 119 – AGAINST NATURE

Ciel variable 119 - AGAINST NATURE

[Winter 2022]

The title Against Nature might seem paradoxical, as the artists brought together for this issue’s thematic section are all defenders and lovers of nature and spend a good deal of time in it. But what their works reveal is a “naturality” thoroughly permeated by human activity and entirely shaped by it, implying that its fate is entirely in our hands.

Marie-Josée Rousseau, At the Crossroads of Photographic Practices — Jérôme Delgado

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Interviews
Authors: Jérôme Delgado

[Fall 2021] An interview by Jérôme Delgado [Excerpt] After a wide variety of experiences; studying sociology, psychology, management, and art history; jobs in finance and communications; and a trip around the world – thirty countries in three years – MarieJosée Rousseau opened La Castiglione, the only Quebec gallery specializing in photography, in 2014. Through an […]

Alexis Desgagnés, Ammoniaque — Ève Dorais

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Book Reviews
Authors: Ève Dorais | Artists: Alexis Desgagnés

[Fall 2021] Montréal, Les Éditions du Renard, 2021, non paginé By Ève Dorais [Excerpt] In an article in an issue of the magazine Elephant devoted to photography,1 Robert Shore notes that in recent decades photography has striven to assert its own materiality. Indeed, artists have found all sorts of ploys to highlight the medium’s materiality […]

La fête : The People Came to Party — Dayna McLeod

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Book Reviews
Authors: Dayna McLeod

[Fall 2021] Jean-François Prost Publication collaborative Québec, Éditions VU, 2021, 160 pages, français, anglais et portugais By Dayna McLeod [Excerpt] If you’ve missed in-real-life parties, being with people, and exhibitions during the pandemic, La Fête is a feast for the heart, head, and soul. The socially distanced isolation of the pandemic brings a chance to […]

Women Street Photographers — Ariane Noël de Tilly

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Book Reviews
Authors: Ariane Noël de Tilly

[Fall 2021] By Ariane Noël de Tilly [Excerpt] The image chosen to illustrate the cover of Women Street Photographers is certainly striking: a detail from Red Upsweep (2019) by B Jane Levine; the photograph is reproduced in its entirety inside the book. The centre of this truncated image is dominated by the head and shoulders […]

Érika Nimis, Mutants — Christian Roy

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Christian Roy | Artists: Érika Nimis

[Fall 2021] Mutants Centre des arts actuels Skol 6.03.2021 — 10.04.2021 By Christian Roy [Excerpt] Érika Nimis, a historian of Africa and its photographic tradition, which she has often covered in Ciel variable, also produces photographic essays about traces of places and abandoned objects. The body of work exhibited at Centre Skol results from an […]

Yann Pocreau, Impermanencies — Daniel Roy

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Daniel Roy | Artists: Yann Pocreau

[Fall 2021] Les Impermanents Musée des beauxarts de Montréal 10.04.2021 — 1.08.2021 By Daniel Roy [Excerpt] Continuing his reflections on the materiality of light, Yann Pocreau presented a corpus of brand-new works at the Montreal Museum of Fine Arts, the result of research conducted during residencies at the Fonderie Darling (2016–18) and the Mont-Mégantic Observatory […]

Chuck Samuels, Becoming Photography — Sylvain Campeau

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Sylvain Campeau | Artists: Chuck Samuels

[Fall 2021] Expression, centre d’exposition de Saint-Hyacinthe 27.02.2021 — 25.04.2021 Plein sud, centre d’exposition en art actuel à Longueuil 13.03.2021 — 24.04.2021 By Sylvain Campeau [Excerpt] A project deployed in two venues and one monograph, Becoming Photography brings together corpuses produced between 1991 and 2020. At Plein sud are series that have been exhibited before, […]

Capture Photography Festival 2021 — Karen Henry

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Karen Henry

[Fall 2021] Capture Photography Festival 2021 Vancouver April 1–30, 2021 By Karen Henry [Excerpt] It’s impossible to review the Capture festival, a rambling aggregation of events in Vancouver that celebrate photography, as a whole. Here, I focus on public art billboards and the major festival commission. Billboards are of a scale to command attention in […]

Paul Walde, Requiem for a Glacier — Reilley Bishop-Stall

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Reilley Bishop-Stall | Artists: Paul Walde

[Fall 2021] Requiem for a Glacier Montreal Museum of Fine Arts March 10, 2021–February 27, 2022 By Reilley Bishop-Stall [Excerpt] Paul Walde’s four movement oratorio Requiem for a Glacier was originally performed in July, 2013 on a glacier in British Columbia’s Jumbo Valley – or Qat’muk, as it is known by the Ktunaxa First Nation, […]

Emanuel Licha, zo reken — André Lavoie

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: André Lavoie | Artists: Emanuel Licha

[Fall 2021] Film documentaire, 2021, 85 minutes, français et créole haïtien By André Lavoie [Excerpt] It is said that truth is the first casualty of war. That seems inevitable, as those who wage war often base their actions on lies and feed on propaganda to justify its necessity. War is also staged – hence the […]

Alejandro G. Iñárritu, Carne y Arena — Jean Gagnon

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Jean Gagnon | Artists: Alejandro G. Iñárritu

[Fall 2021] Arsenal art contemporain 17.03.2021 — 15.08.2021 By Jean Gagnon [Excerpt] It has long been possible to experience virtual reality works in Montreal,1 and in spring 2021 a “must-see”2 was Carne y Arena (Virtually Present, Physically Invisible) (2017) by Oscar-winning filmmaker Alejandro G. Iñárritu.3 The presentation in Montreal was thanks to the efforts of […]

Meryl McMaster, There Once Was A Song — Stéphanie Hornstein

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Exhibition reviews
Authors: Stéphanie Hornstein | Artists: Meryl McMaster

[Fall 2021] Occurrence, espace d’art et d’essai McCord Museum, Montreal April 2 — August 15, 2021 By Stéphanie Hornstein [Excerpt] Starlings have pride of place in Meryl McMaster’s heart. In 2013, she produced a photographic triptych, Murmur, that shows a young woman, the artist herself, gently twirling within a swarm of paper starlings. Grounded in […]

Luc Bourdon. Playing with Images and Sounds — Nicole Gingras

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Essays
Authors: Nicole Gingras | Artists: Luc Bourdon

[Fall 2021] An Interview by Nicole Gingras [Excerpt] A major figure in video art and film in Canada, Luc Bourdon has worked with various independent organizations in Quebec, including Vidéographe, Productions Réalisations Indépendantes de Montréal, Cinéma Parallèle, and the Festival du nouveau cinéma de Montréal. Since the 1980s, he has produced some fifty works – […]

David Tomas, Speech and silence — Vincent Bonin

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Essays
Authors: Vincent Bonin | Artists: David Tomas

[Fall 2021] By Vincent Bonin [Excerpt] Invited by Ciel variable to follow up on the reassessment of works by the artist and anthropologist David Tomas (1950–2019) started in the recent exhibition Moving Through Time and Space,1 Vincent Bonin offers a broader survey of Tomas’s intellectual trajectory and reflects on the presence of silence in some […]

Moyra Davey. The Personal Narrative and the Art of Fragmented Anti-dogma Narration — Nicolas Mavrikakis

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Essays
Authors: Nicolas Mavrikakis | Artists: Moyra Davey

[Fall 2021] By Nicolas Mavrikakis [Excerpt] Is there such a thing as left-wing extremism? In recent few months, various events have highlighted the growing hold on the left of can- cel culture – which should, rather, be called erasure or obliteration culture – a way of doing things associated with dictatorships (on the right and […]

Robert Graham, Three Montréal Photographers + — Zoë Tousignant, Robert Graham’s History of Photography in Montreal

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Zoë Tousignant | Artists: Donigan Cumming, Michel Campeau, Tom Gibson

[Fall 2021] By Zoë Tousignant [Excerpt] There are those of us who believe that what lies beyond the photographic frame is as interesting as what is contained within it. This is not founded on a sentiment that the photo graph alone is not enough. Quite the contrary: it comes from a place of such deep […]

Amandine Alessandra, Marine Baudrillard, Carole Lévesque, Katharina Niemeyer et Magali Uhl, Écran total — Edward Pérez-González, The Absence Machine

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Edward Pérez-González | Artists: Charlie Doyon

[Fall 2021] By Edward Pérez-González [Excerpt] The reflections on screens and on relations between image and reality offered by the philosopher Jean Baudrillard (1929– 2007) in his essay Écran total served as a framework for the staging of the exhibition of the same name, presented by the Centre de design at UQAM1 and organized by […]

William A. Ewing et Holly Roussell, Civilization – Quelle époque ! — Julie Martin, A Photographic Mapping of the TwentyFirst Century

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios
Authors: Julie Martin | Artists: Massimo Vitali

[Fall 2021] By Julie Martin [Excerpt] As far back as the 1990s, American literary critic Fredric Jameson was noting that the world is non-narrative and unrepresentable.1 Drawing an analogy with the urban planner Kevin Lynch’s book The Image in the City, Jameson showed that because we, as urban dwellers, are incapable of situating our- selves […]

Exhibiting Photography

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Portfolios

[Fall 2021] The thematic section in this issue presents three exhibitions that show how photography can actively contribute to shaping a critical vision of the world. By bringing together a large number of images and points of view, the first sets out to offer an overall sense of the changes affecting global civilization. Inspired by […]

Exhibiting Photography to Talk about Global Changes

Ciel variable 118 - EXHIBITING PHOTOGRAPHY | Editorial
Authors: Jacques Doyon

[Fall 2021] By Jacques Doyon The thematic section in this issue presents three recent exhibitions that show how photography can actively contribute to shaping a vision of the world. The first, which features quantity and diversity of images, indicates how an accumulation of points of view and subjects addressed makes it possible to override the […]

Ciel variable 118 – EXHIBITING PHOTOGRAPHY

Ciel variable 118 - EXHIBITING PHOTOGRAPHY

[Fall 2021]
The thematic section in this issue presents three exhibitions that show how photography can contribute to shaping a critical vision of the world. The first sets out to offer an overall sense of the changes affecting global civilization. The second contrasts traditional photography with its mutant, digital, and interactive form. The third is the career of a photography critic whose vision is fed by the act of collecting.

Bertrand Carrière, Learning photography from books — Serge Allaire

Ciel variable 117 - SHIFTED | Entrevues, Interviews
Authors: Serge Allaire | Artists: Bertrand Carrière

Bernard Carrière, who has produced numerous photobooks over a forty-year career, talks about the process behind the retrospective exhibition and monograph, both titled Solstice, and reveals that he came to photography through print publications. “I really learned about photography through magazines and the LIFE encyclopedia,” he says. “And the discovery of books was fundamental. The first one I had was a short monograph on Henri Cartier-Bresson.” “I learned photography from books,” he continues, and he favours that very medium for deploying his series. Before making this choice, sequential organization of images, as if making a film, was the basis for his creative inspiration. “One creates by subtracting. If I’ve learned one thing with the editor of my films … it’s how to see the tree (the image) and the forest (the book, the film) at the same time: the unique importance of each image, each shot, in a whole that makes sense.”

Ron Jude — Louis Perreault

Ciel variable 117 - SHIFTED | Book Reviews, Readings
Authors: Louis Perreault | Artists: Ron Jude

Ron Jude’s photobook “vibrates on the table,” according to Louis Perreault, so utterly does the sensory experience offered overflow the edges of the images. In Perreault’s view, Jude, a fundamental figure in the publishing world, has innovated once again, and he also takes a new direction in his practice: here, the landscape is the subject, the narrative thread of the images is less influential, and the strategy turns to accumulation rather than juxtaposition. 12 Hz is like “a musical composition,” Perreault writes, “each image acting as a track added to the others, each vibrating at a different frequency. Like a composer at the mixing console, Jude adjusts the levels of each track, measuring out the abstraction, the textures, the reproduction of space and place.” The reference to low frequencies in the title suggests that sound wave are forces that shape landscapes, imperceptible movements that permeate the dark-toned images.

Une histoire mondiale des femmes photographes — Claudia Polledri

Ciel variable 117 - SHIFTED | Book Reviews, Readings
Authors: Claudia Polledri

This article was originally published only in French. You can read it by switching over to the French version of this page.

Rejouer le vivant – Amélie Giguère

Ciel variable 117 - SHIFTED | Book Reviews, Readings
Authors: Amélie Giguère, Anne Bénichou

This article was originally published only in French. You can read it by switching over to the French version of this page.

Richard Ibghy & Marilou Lemmens, Querelle entre deux puces pour savoir à qui appartient le chien sur lequel elles vivent — Noémie Fortin

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Noémie Fortin | Artists: Richard Ibghy & Marilou Lemmens

The videos, installations, and photographs that form the exhibition arising from a residency at the Grantham Foundation offer “a sensitive, well-informed portrait of the use, contamination, and appropriation of land in rural areas,” as Noémie Fortin describes it. Here, Richard Ibghy and Marilou Lemmens continue their approach based on the desire to materialize and make “visible” abstract concepts and even censored studies – as the case for the work L’affaire Louis Robert. They also emphasize the contrast between the “violence and care” inherent to cultivating the soil, as in the video Herber, désherber. “The pieces that they have brought together offer different gateways to the issues of ownership and exclusion … in order to provoke both an emotional reaction and a critical reflection.”

John Akomfrah, Vertigo Sea — Jill Glessing

Ciel variable 117 - SHIFTED | Exhibition reviews
Authors: Jill Glessing | Artists: John Akomfrah

The three-channel video Vertigo Sea offers an immersive and panoramic environment based on “a powerful montage” of still and moving images, as well as juxtaposed and superimposed sounds, including music, recordings of nature, songs, and texts read by off-screen voices. The narrative proposed by John Akomfrah makes the ocean, “site of history, of beauty and bounty,” into “a scene of disaster.” “Human forces” have provoked this transformation, as shown in a succession of images that evoke slavery and water pollution. Despite references to Géricault, Turner, Friedrich, Melville, and Woolf, the work, writes Jill Glessing, “prompts viewers to consider their own contemporary relationship with the savagery perpetrated within and against that watery paradise.”

Sara A. Tremblay — Paule Mackrous

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Paule Mackrous | Artists: Sara A. Tremblay

Created in the context of isolation imposed by the pandemic, the visual and virtual essay Tout t’empêche, posted on Instagram, is a well-thought-out project, resonating with the reality of the health crisis and the food autonomy movement. Through a series of images of harvested flowers, fruits, and vegetables, Sara A. Tremblay displays her daily life on a farm in the Orford region. In the view of Paule Mackrous, the work forms a “ritual,” the scope of which goes beyond intimacy, by highlighting an ecosystem of light, wind, insects, nocturnal animals, and more. “A counterweight is thus offered to both the direct and indirect effects of COVID-19, such as anosmia (loss of the senses of small and taste), physical distancing, and the requirement to touch nothing – effects that prevent us from experiencing all the sensory dimensions of the world.”

Gagnon-Forest, Séquence aérienne — Élisabeth Recurt

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Élisabeth Recurt | Artists: Gagnon-Forest

The duo of Gagnon-Forest, sensitive to the issues linking space and the collective imagination, produce works linked to sociological and aesthetic concerns. The six photographs that they inserted in the large windows of a municipal building alternate scientific (topographic) images and landscapes blurred by the amalgamation of points of view (using the parallax principle). The objectivity of the former, black-and-white digitized cadastral plans, is contrasted against the latter, blue-tinted images. In Élisabeth Recurt’s view, this combination of “informational quality” and “visual quality with fictive content” points to urban constraints and evokes an inaccessible elsewhere. The “sociological and poetic threads” of Séquence aérienne remind her of the practice of Melvin Charney, who reflected “on the domination of the functional dimension over the social dimension in urban planning” and blended reality and fiction in his works.

Stan Douglas, Penn Station’s Half Century — Stefan Zebrowski-Rubin

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Stefan Zebrowski-Rubin | Artists: Stan Douglas

Commissioned by the Public Art Fund and the Empire State Development for a new train-station lobby, Penn Station’s Half Century returns to a historical era of New York City. The artist, Stan Douglas, reconstructed narratives around Penn Station, the demolition of which in 1963 was the catalyst for the modern heritage preservation movement. The four photographic panels, which intermingle fact and fiction, are, in Stefan Zebrowski-Rubin’s opinion, “breath-taking tableaux.” “The composed conceptual work of the Vancouver School of photography here takes on epic new ambition,” Zebrowski-Rubin writes, revealing the audacious technique behind the creative process. He notes that the mastery and scale of Douglas’s work augur well for the approaching 2022 Vienna Biennale, at which Douglas will occupy the Canadian pavilion.

Isabelle Hayeur, (D)énoncer — Jean De Julio-Paquin

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Jean De Julio-Paquin | Artists: Isabelle Hayeur

An ambitious project in three cities, seventy photographs, six videos, a digital platform, and a monograph, (D)énoncer would have been a major social and political event. The triple exhibition summarizes Isabelle Hayeur’s practice and “reveals, in a dialectic relationship, the fractures between an ideal world and the real world,” notes Jean De Julio-Paquin. Although, in De Julio-Paquin’s view, it was a good idea to divide the programs into themes, the event as a whole “bear[s] witness to the degradation of ecosystems and its repercussions on the social fabric.” De Julio-Paquin dwells on each of the sections, points out Hayeur’s commitment to forms of small-scale resistance – James C. Scott’s concept of infra-politics – and observes that her quest “is not to find beauty or magnificent in devastation, but simply to capture the ambivalence of our relationship with the material world and with life.”

Sandra Brewster — Érika Nimis

Ciel variable 117 - SHIFTED | exhibition, Exhibition reviews
Authors: Erika Nimis | Artists: Sandra Brewster

Toronto artist Sandra Brewster, who claims the right to opacity – a concept dear to Édouard Glissant – rethinks Blackness, situating it somewhere “between visibility and invisibility.” This is the conclusion drawn by Érika Nimis in her review of this finely tuned show focused on the deconstruction and representation of racialized people. Brewster transfers images onto a variety of supports (paper, wood, video) as “a metaphor for movement – that, among others, of her family’s migration,” Nimis writes. Long exposure times, models in motion, and random effects are among the means Brewster uses to defy the weighty heritage of photographic practices and crack open the notion of a monolithic Black community. Finally, in Nimis’s view, the most effective response to the stigmatization of appearance may be found in movement.

Judith Bellavance — Mona Hakim

Ciel variable 117 - SHIFTED | Exhibition reviews
Authors: Mona Hakim | Artists: Judith Bellavance

Sensitive to memory, loss, and emotion, Judith Bellavance found the subject for her series Le goût de la durée in an Irish community in the Gaspé – more specifically, in a church basement frozen in time. According to Mona Hakim, Bellavance reconstructs “a personal story through the marks of wear that the site bears and the emblematic objects that it contains.” Favouring a form of “magnification,” she bears witness to the users’ desire to “care for” their living environment. At a time when the fate of our patrimonial and religious architecture is being challenged, writes Hakim, Le goût de la durée sensitively and poetically evokes reflections on our relationship with history and memory – on a heritage just under the surface.

Chih-Chien Wang. A Gift of Images — Sylvain Campeau

Ciel variable 117 - SHIFTED | Essays
Authors: Sylvain Campeau | Artists: Chih-Chien Wang

In this essay, Sylvain Campeau explores a genre rarely discussed and yet essential to Chih-Chien Wang’s work: the still life – and, in particular, the theme of food. Although fruits and vegetables inhabit Wang’s photographs and videos, that’s not the whole story. Turning to theoretical reflections such as that of Anne Cauquelin and her “table gifts,” Campeau regards the still life as “a fundamental part of a gift, and this is even more obvious in Wang’s work.” The idea of the gift, of a possible “gathering of guests,” leads Campeau to dwell on the artist’s works in which sharing takes the form of speaking, of “confessions.” “Through the exchange and the giving of human beings’ formative stories, there is a question of evading what in them determines us and defines us too closely,” he suggests.

Évariste Desparois. A Disappearance Story — Sébastien Hudon

Ciel variable 117 - SHIFTED | Essays
Authors: Sébastien Hudon | Artists: Évariste Desparois

It was the discovery and acquisition of facsimiles of works by Évariste Desparois that gave the impetus for Sébastien Hudon’s essay. Hudon describes the first layer of a long-term investigation, a noble mission to bring back from oblivion an inventive artist who created photomontages that earned him ephemeral celebrity. Unknown to historians, a mysterious figure even unto his death, Desparois emerged in an era when modernity was taking off in Quebec. Based on sparse documentation, Hudon follows Desparois’s career, finding clues to his stay in Europe in the orbit of Riopelle and Borduas. “What could have happened for a contemporary artist who was among the signatories of Prisme d’yeux and Refus global to be so utterly wiped out of the history of art and photography in Quebec?” Hudon wonders. “The surprising disappearance of Évariste Desparois, and the splitting up of his body of work, bespeaks the fate of so many artists.”

Alessandra Sanguinetti, Alec Soth, Araki Nobuyoshi / Juergen Teller. Correspondence and Adventures in Book Form — Jérôme Delgado

Ciel variable 117 - SHIFTED | Essays
Authors: Jérôme Delgado | Artists: Alec Soth, Alessandra Sanguinetti, Araki Nobuyoshi, Juergen Teller

Four photographers, three books, two cousins, one prisoner: beyond the heterogeneous content discussed, Jérôme Delgado addresses correspondence as a source of creativity and building closeness among culturally, socially, or physically distant individuals. During the pandemic lockdown, photographer Alec Soth exchanged letters with C. Fausto Cabrera, who was literally locked down in a prison. The result of their epistolary dialogue became a book and two unusual images. For decades, photographer Alessandra Sanguinetti travelled to the Argentinian countryside to visit two cousins who, through images, became both her creative correspondents and the protagonists in their adventures. Photographers Araki Nobuyoshi and Juergen Teller, both of them drawn to flesh and to life, offer a purely visual dialogue. Their book testifies, as a correspondence would, to a deep friendship, mutual respect, and the passage of time.

Franck Gérard, En l’état — Jacques Leenhardt, Franck Gérard’s Photographic Encounters

Ciel variable 117 - SHIFTED | Portfolios
Authors: Jacques Leenhardt | Artists: Franck Gérard

[Summer 2021] A story, July 13, 1999, to the present (excerpts) Franck Gérard A press clipping. A few months after my fall, a patron, Löic Francheteau from Flesselles, in a bar where I hang out showed me a newspaper clipping that he had cut out for me. The article tells the story of a young […]

Vincent Lafrance, Savoir vivre — Zoë Tousignant, The Artful Life (according to Vincent Lafrance)

Ciel variable 117 - SHIFTED | Portfolios
Authors: Zoë Tousignant | Artists: Vincent Lafrance

In his web series Savoir vivre, Vincent Lafrance stages an alter ego in search of meaning and renewal. Blending autofiction and reflection on creation, the artist explores isolation, failure, and the quest for a new balance with the world.

Steve Giasson, Nouvelles Performances invisibles — Didier Morelli, The Artist’s Body, a Camera, and Various Performative Interactions

Ciel variable 117 - SHIFTED | Portfolios
Authors: Didier Morelli | Artists: Steve Giasson

Steve Giasson continues his Invisible Performances with a series of actions shared on social media during the pandemic. By linking his body to the camera, he creates a poetic and critical imaginary that questions social and media codes.

Shifted

Ciel variable 117 - SHIFTED | Portfolios
Artists: Franck Gérard, Steve Giasson, Vincent Lafrance

Three artists explore, each in their own way, the visible and the invisible: through erudition, autofiction, and subjectivity, their works reveal an ironic distance from the contemporary world.

What Is It Exactly about Human Life?

Ciel variable 117 - SHIFTED | Editorial
Authors: Jacques Doyon

In the feature section of this issue, we encounter three artists, three aesthetic approaches that converge in a certain ironic distance. One, more erudite, draws on the layers of cultural history; another, more narrative, unfolds an autofiction through subtle touches and existential resonances; the last, more direct, affirms the subjectivity of a framing, of a gaze. What, in the end, of the visible and the invisible? What kind of knowledge helps us live better? And what do all these small things that go off track tell us about the state of the world?

Ciel variable 117 – SHIFTED

Ciel variable 117 - SHIFTED

[Summer 2021]

This issue features three artists, with three aesthetic positionings, who share an ironic distancing. One, more scholarly, builds on strata of cultural history; the second, more narrative, fashions, with small strokes, a self-fiction with existential echoes; the last, more direct, affirms the subjectivity of a framing, a gaze. What is it exactly about the visible and the invisible? What wisdom do we need to live better? And what do all these little things that are derailed say about the state of the world?

Chuck Samuels. Gales, nez qui coulent et défaillances de garde-robe — Chuck Samuels

Ciel variable 116 — LANDSCAPES AS MIRRORS | Entrevues, Interviews
Authors: Chuck Samuels | Artists: Chuck Samuels

[Hiver 2021] An Interview by Chuck Samuels Chuck Samuels is an occasional freelance critic who lives and works in Montreal. This is the third in a series of interviews with Chuck Samuels appearing in Ciel variable. He has also published articles in such Canadian contemporary arts magazines as MIX, Fuse, and Vanguard (co-written with Moira […]

Ouvrages à souligner — Jérôme Delgado

Ciel variable 116 — LANDSCAPES AS MIRRORS | Book Reviews, Readings
Authors: Jérôme Delgado | Artists: Bertrand Carrière, Geneviève Cadieux, Isabelle Hayeur

[Hiver 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Par Jérôme Delgado (En français seulement) Buy the issue

Vikky Alexander, Nordic Rock — James D. Campbell

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: James D. Campbell | Artists: Vikky Alexander

[Winter 2021] Nordic Rock Darling Foundry, Montreal February 27–August 29, 2020 By James D. Campbell Vikky Alexander’s Nordic Rock is a rare extravaganza of the literal and the metaphorical, the real and the surreal. It provokes a counterpoint to and reappraisal of the massive scale of the imposing Darling Foundry Main Hall in which it […]

Laurence Hervieux-Gosselin — Gabrielle Sarthou

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Gabrielle Sarthou | Artists: Laurence Hervieux-Gosselin

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Fenêtre oubliée Galerie la Castiglione chez Produit Rien, Montréal Du 3 au 26 septembre 2020 By Gabrielle Sarthou (En français seulement) Buy the issue

Berlin Biennale für zeitgenössische Kunst — Érika Nimis

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Erika Nimis

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Biennale de Berlin pour l’art contemporain Du 5 septembre au 1er novembre 2020 By Érika Nimis (En français seulement) Buy the issue

Bertrand Carrière — Sylvain Campeau

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Sylvain Campeau | Artists: Bertrand Carrière

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Dans les années – Photographies 1996–2019 Galerie d’art Antoine-Sirois de l’Université de Sherbrooke Du 8 septembre au 17 octobre 2020 By Sylvain Campeau (En français seulement) Buy the issue […]

Photographie et société : L’Autre Amérique — Jérôme Delgado

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Jérôme Delgado

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Photographie et société : L’Autre Amérique Maison de la culture Claude-Léveillée, Montréal Du 26 août au 4 octobre 2020 By Jérôme Delgado (En français seulement) Buy the issue […]

Marc-Antoine K. Phaneuf — Alexis Desgagnés

Ciel variable 116 — LANDSCAPES AS MIRRORS
Authors: Alexis Desgagnés | Artists: Marc-Antoine K. Phaneuf

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Dédales d’almanachs Festival Art souterrain, Montréal Du 29 février au 22 mars 2020 Par Alexis Desgagnés (En français seulement) Buy the issue

Virginie Laganière — Nathalie Bachand

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Nathalie Bachand | Artists: Virginie Laganière

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Derrière l’horizon Circa art actuel, Montréal Du 8 juillet au 22 août 2020 Par Nathalie Bachand (En français seulement) Buy the issue

Rachel Echenberg — Charles Guilbert

Ciel variable 116 — LANDSCAPES AS MIRRORS | Exhibition reviews
Authors: Charles Guilbert | Artists: Rachel Echenberg

[Winter 2021] This article was originally published in French only. You can read it by switching over to the French version of this page. Conversations avec ma famille Galerie B-312, Montréal Du 3 septembre au 3 octobre 2020 Par Charles Guilbert (En français seulement) Buy the issue

Gathering Clouds. A History of Photography Through Clouds — Bruno Chalifour

Ciel variable 116 — LANDSCAPES AS MIRRORS | Essays
Authors: Bruno Chalifour

[Winter 2021] By Bruno Chalifour After months of a world pandemic, being surrounded by clouds may sound like a reprieve: fluffy, light, ethereal, and flying higher than the contemporary political discourse in the United States, clouds may provide temporary solace in our dark, sometimes ignorant, times. The exhibition Gathering Clouds, Photographs from the Nineteenth Century […]

Les Années Musicales : 1920–2020. The Space-Music Dimension Becomes Multiplicity — Edward Pérez-González

Ciel variable 116 — LANDSCAPES AS MIRRORS | Essays
Authors: Edward Pérez-González

[Winter 2021] Par Edward Pérez-González The Single and the Multiple. Briefly, multiplicity can be defined as a condition that amplifies things and phenomena; a state of abundance, of potentialities, that enables us to perceive and comprehend the world through different and heterogeneous dimensions – from another dimension. This mode of the single and the multiple […]

Ewa Monika Zebrowski, Le livre photographique comme espace de collaboration — Zoë Tousignant

Ciel variable 116 — LANDSCAPES AS MIRRORS | Essays
Authors: Zoë Tousignant | Artists: Ewa Monika Zebrowski

[Winter 2021] By Zoë Tousignant It stands to reason that much thought, time, and energy go into the making of a photobook. Fortunately, the work that it involves is usually shared by several individuals who, each expert in their own field, contribute to creating the end product. These individuals most often include a photographer, a […]

David K. Ross, Children of Kaos — Jeanne Randolph, Sometimes a Name Is Just a Name

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Jeanne Randolph | Artists: David K. Ross

[Winter 2021] By Jeanne Randolph Vain Pillaging – I told him I was thinking, “Vain Pillaging.” – As in futile? my friend responded. – As in gall-darn hubris, I said. Any one of us can do what we want with names, even four-thousand-year old names. – And, said my friend, who is familiar with […]

Chloé Beaulac, Ces lieux qui nous habitent — Dominique Sirois-Rouleau, Territories of Memory

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Dominique Sirois-Rouleau | Artists: Chloé Beaulac

[Winter 2021] Dominique Sirois-Rouleau Chosen to take part in the Missions photographiques des Laurentides project,1 Chloé Beaulac set herself the objective of finding the family cottage that had been part of her childhood. This quest motivated the month-long residency, during which her recollections tied to the Laurentian landscape were confronted with reality. For days, she […]

Alain Lefort, Résonance des silences — Yannick Marcoux, The Pixel: A Fragile Mirage

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Authors: Yannick Marcoux | Artists: Alain Lefort

[Winter 2021] Par Yannick Marcoux Looking back upon our origins, it was a long time ago – a very long time, ten thousand years in fact – that the last ice age ended on Earth. What remains of that epoch seems to fascinate Alain Lefort, who, after making his series Eidolôn on drifting icebergs, has […]

Landscapes as Mirrors

Ciel variable 116 — LANDSCAPES AS MIRRORS | Portfolios
Artists: Alain Lefort, Chloé Beaulac, David K. Ross

[Winter 2021] What do the most distant, wild, silent landscapes tell us? How do landscapes of our childhood, those that awoke us to the world, shape us? What reflections of our own future do we find in the chaos of urban sites? Landscapes are like mirrors, utterly shaped by human presence. The city is a […]

Projecting Ourselves into the World Around Us — Jacques Doyon

Ciel variable 116 — LANDSCAPES AS MIRRORS | Editorial
Authors: Jacques Doyon

[Winter 2021] By Jacques Doyon What do the most distant, wild, silent landscapes tell us? How do landscapes of our childhood, those that awoke us to the world, shape us? What reflections of our own future do we find in the chaos of urban sites? Landscapes are like mirrors, utterly shaped by human presence. The […]

Ciel variable 116 – LANDSCAPES AS MIRRORS

[Winter 2021]

What do the most distant, wild, silent landscapes tell us? How do landscapes of our childhood, those that awoke us to the world, shape us? What reflections of our own future do we find in the chaos of urban sites? Landscapes are like mirrors, utterly shaped by human presence. The city is a direct extension of the social body and, similarly, all of nature is a construction of culture that becomes meaningful only through the human gaze.

Robert Walker, Griﬃntown / Montréal en mutation — James D. Campbell

Ciel variable 115 - THE MARCH OF THE WORLD | Entrevues, Interviews
Authors: James D. Campbell | Artists: Robert Walker

[Summer 2020] An Interview by James D. Campbell Robert Walker was born in Montreal in 1945. He graduated in visual arts from Sir George Williams University in the late 1960s. In 1975, he attended a workshop given by American photographer Lee Friedlander that would be transformative, and he embraced colour street photography as an aesthetic […]

Arles, Les Rencontres de la photographie — Bruno Chalifour

Ciel variable 115 - THE MARCH OF THE WORLD | Book Reviews, Readings
Authors: Bruno Chalifour

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Une histoire française Françoise Denoyelle Paris, Les Rencontres d’Arles / Art Book Magazine 2019, 320 p. (ill. n&b) 50 ans d’histoire Françoise Denoyelle et Sam Stourdzé Paris, La Martinière, 2019, 278 […]

Ouvrages à souligner — Fanny Bieth

Ciel variable 115 - THE MARCH OF THE WORLD | Recensions de publications
Authors: Fanny Bieth

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Par Fanny Bieth (In French only) Acheter ce numéro

David McMillan — Pierre Dessureault

Ciel variable 115 - THE MARCH OF THE WORLD | Book Reviews, Readings
Authors: Pierre Dessureault | Artists: David McMillan

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Croissance et Dégradation Pripiat et la zone d’exclusion de Tchernobyl David McMillan essai de Claude Baillargeon Göttingen, Steidl, 2019, 262 p., 200 photographies Par Pierre Dessureault (In French only) Buy the […]

Sarah Wendt et Pascal Dufaux | Alexis Bellavance — Nathalie Bachand

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Nathalie Bachand | Artists: Alexis Bellavance, Pascal Dufaux, Sarah Wendt

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Axenéo7 Du 18 septembre au 26 octobre 2019 Par Nathalie Bachand (In French only) Acheter ce numéro

Rencontres photographiques de Guyane | 6e édition — Sophie Bertrand

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Sophie Bertrand | Artists: Léa Magnien

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Parenthèse(s) Du 6 au 30 novembre 2019 Par Sophie Bertrand (In French only) Acheter ce numéro

Szilasi & Szilasi — Fanny Bieth et Clément Willer

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews, Recensions d'expositions
Authors: Clément Willer, Fanny Bieth | Artists: Andrea Szilasi, Gabor Szilasi

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Galerie Deux Poissons, Montréal Du 17 octobre au 23 novembre 2019 Par Fanny Bieth et Clément Willer (En Français seulement) Acheter ce numéro

Jocelyn Philibert — Sylvain Campeau

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Sylvain Campeau | Artists: Jocelyn Philibert

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Dimension Lumière EXPRESSION. Centre d’exposition de Saint-Hyacinthe Du 9 novembre 2019 au 26 janvier 2020 Par Sylvain Campeau (En Français seulement) Acheter ce numéro

Normand Rajotte — Mona Hakim

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Mona Hakim | Artists: Normand Rajotte

[Summer 2020] This article was originally published in French only. You can read it by switching over to the French version of this page. Sur les lieux La Castiglione, Montréal Du 2 octobre au 9 novembre 2019 Par Mona Hakim (En Français seulement) Acheter ce numéro

Monique Moumblow — Charles Guilbert

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Charles Guilbert | Artists: Monique Moumblow

[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. Compositions | Pale Shadows Centre VOX Du 1er novembre 2019 au 29 février 2020 By Charles Guilbert (In French only) Acheter ce numéro

Hito Steyerl, This is the future — Jill Glessing

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Jill Glessing | Artists: Hito Steyerl

[Fall 2019] Art Gallery of Ontario October 24, 2019–February 23, 2020 By Jill Glessing Artist and cultural critic Hito Steyerl, widely recognized for her writing and video works, explores the mostly invisible relations among contemporary art, networked digital technology, and the power structures that aim to control them. In her exhibition This is the future […]

Isaac Julien — Ariane Noël de Tilly

Ciel variable 115 - THE MARCH OF THE WORLD | Exhibition reviews
Authors: Ariane Noël de Tilly | Artists: Isaac Julien

[Fall 2019] This article was originally published in French only. You can read it by switching over to the French version of this page. Isaac Julien Frederick Douglass: Lessons of the Hour SCAD Museum of Art, Savannah Du 3 octobre au 15 décembre 2019 By Ariane Noël de Tilly (In French only) Acheter ce numéro

3e Biennale des photographes du monde arabe contemporain. Regards sur le Liban, l’Égypte et le Maroc – Claudia Polledri

Ciel variable 115 - THE MARCH OF THE WORLD | Essays
Authors: Claudia Polledri

[Summer 2020] By Claudia Polledri The third edition of the Biennial of Contemporary Arab World Photography,1 curated by Gabriel Bauret, was held in Paris in 2019. Inaugurated in 2015 on the joint initiative of the Arab World Institute (AWI) and the Maison européenne de la photographie (MEP), the event is important because it showcases works […]

Zoom Photo Festival Saguenay. Overview on the Tenth Year of the Photojournalism Festival – Sophie Bertrand

Ciel variable 115 - THE MARCH OF THE WORLD | Essays
Authors: Sophie Bertrand

[Summer 2020] By Sophie Bertrand For the last ten years, the Zoom Photo Festival been a mid-autumn feature in Chicoutimi, in Quebec’s Saguenay-Lac-Saint-Jean region. La Pulperie de Chicoutimi, a national historic site and regular partner of the festival, serves as headquarters and hosts most of the exhibitions, with La Zone Portuaire, and other shows are […]

MOMENTA 2019. Listening to Things – Charles Guilbert

Ciel variable 115 - THE MARCH OF THE WORLD | Essays
Authors: Charles Guilbert

[Summer 2020] By Charles Guilbert For the second edition of Momenta | Biennale de l’image1 (it had fourteen editions under its previous name, Le Mois de la photo), co-curators María Wills Londoño, Audrey Genois, and Maude Johnson chose an evocative and seemingly paradoxical title: The Life of Things. It was a title that might bring […]

Mary Kavanagh, Daughters of Uranium – Blake Fitzpatrick, Embodied Politics

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Blake Fitzpatrick | Artists: Mary Kavanagh

[Summer 2020] By Blake Fitzpatrick Uranium is an unstable element. It breaks down over time – a very long time. Naturally occurring uranium-238 has a half-life of 4.468 billion years, meaning that it takes that amount of time for half of the uranium to transform into other elements in a radioactive decay chain. The elements […]

William Kentridge, More Sweetly Play the Dance – Érika Nimis, La marche du monde

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Erika Nimis | Artists: William Kentridge

[Summer 2020] By Érika Nimis Interdisciplinary artist William Kentridge (born 1955 in Johannesburg) is internationally celebrated for his animated films composed of charcoal drawings and as a director of live shows. Born into an activist family intimately involved with the anti-apartheid struggles of the 1980s, Kentridge works in media as varied as printmaking, sculpture, performance, […]

Benoit Aquin, La dimension éthérique du réseau par Anton Bequii – Alexis Desgagnés, Anton Bequii : A Spiritual Uprising

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Authors: Alexis Desgagnés | Artists: Benoit Aquin

[Summer 2020] [Technology] is no longer opposed to human beings but is being integrated with them and gradually absorbing them. — Jacques Ellul By Alexis Desgagnés I was asked to write about Benoit Aquin’s La dimension éthérique du réseau par Anton Bequii.1 It’s not the first time that I’ve been asked. I haven’t said […]

The March of the World

Ciel variable 115 - THE MARCH OF THE WORLD | Portfolios
Artists: Benoit Aquin, Mary Kavanagh, William Kentridge

[Summer 2020] The works in this special section address dimensions of human activity that have considerable signiﬁcance in today’s globalized society in view of the role of technology, the use of energy resources, and respect for human rights. These complex works combine multiple voices to reﬂect ethical issues and their impacts on individuals and communities. […]

Pandemic Vertigo — Jacques Doyon

Ciel variable 115 - THE MARCH OF THE WORLD | Editorial
Authors: Jacques Doyon

[Summer 2020] By Jacques Doyon I’m writing this editorial at a time when, to general surprise, paralysis of a signiﬁcant portion of human activity is gradually spreading across the globe (with some 2.5 billion people in conﬁnement right now). Suddenly, the unthinkable has happened. The immutable rumble of economic activity spurred on by the desire […]

Ciel variable 115 – THE MARCH OF THE WORLD

Ciel variable 115 - THE MARCH OF THE WORLD

[Summer 2020]

The works in this special section address dimensions of human activity that have considerable significance in today’s globalized society in view of the role of technology, the use of energy resources, and respect for human rights. These complex works combine multiple voices to reflect ethical issues and their impacts on individuals and communities.

Traces of Virgil as a Chalk Giant: Ewa Monika Zebrowski’s Meditations on Cy Twombly — James D. Campbell

Ciel variable 114 - MASSES | MONUMENTS | Readings
Authors: James D. Campbell | Artists: Cy Twombly, Ewa Monika Zebrowski

August 11, 2022 [originally published in CV114 in Winter 2020] — By James D. Campbell. Since 2014, noted Canadian artist Ewa Monika Zebrowski has been exploring the universe of artist Cy Twombly on both sides of the Atlantic…

The Walther Collection: The Way She Looks — Jill Glessing

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Jill Glessing | Artists: Alfred Martin Duggan-Cronin, David Goldblatt, Guy Tillim, Jodi Bieber

[Winter 2020] Ryerson Image Centre, Guest curator: Sandrine Colard September 11–December 8, 2019 By Jill Glessing Photography extends the gaze, making material its spectrum of desires and subject positions – whether violence, control, submission, negotiation, or resistance. Once etched as image – on plate, print, or screen – the momentary exchange circulates and is entrenched […]

Le projet Polaroid — Sophie Bertrand

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Sophie Bertrand | Artists: André Kertész, Bruce Charlesworth, Ellen Carey, Kunihiro Shinohara, Paolo Gioli, Toshio Shibata

[Winter 2020] Le projet Polaroid – Art et technologie Musée McCord, Montréal Du 13 juin au 15 septembre 2019 Par Sophie Bertrand (French only) Purchase this issue

Territoires II — Christian Roy

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Christian Roy | Artists: Andreas Rutkauskas, Gagnon-Forest, Hua Jin

[Winter 2020] This article was originally published only in French. You can read it by switching over to the French version of this page. Galerie La Castiglione, Montréal Du 28 août au 28 septembre 2019 Par Christian Roy (French only) Purchase this issue

Michel Depatie — Alexia Pinto Ferretti

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Alexia Pinto Ferretti | Artists: Michel Depatie

[Winter 2020] This article was originally published only in French. You can read it by switching over to the French version of this page. Ashu-Takusseu : la traversée photographique Centre d’exposition de Val-David Du 22 juin au 8 septembre 2019 Par Alexia Pinto Ferretti (French only) Purchase this issue

Biennale de Venise 2019 — Daniel Fiset

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Daniel Fiset | Artists: Isuma, Mari Katayama, Tamás Waliczky, Voluspa Jarpa, Zanele Muholi

[Winter 2020] This article was originally published only in French. You can read it by switching over to the French version of this page. May You Live in Interesting Times May 11 to November 24 2019 By Daniel Fiset Purchase this issue

Yan Giguère, Suite cinétique — Stéphanie Hornstein

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Stéphanie Hornstein | Artists: Yan Giguère

[Hiver 2020] Galerie La Castiglione May 15–June 15, 2019 By Stéphanie Hornstein The day that I first make it to Yan Giguère’s solo show at Galerie La Castiglione, Montreal’s construction season is in full swing. St. Catherine Street is a gaping trench and the jackhammer’s thrum hounds me all the way up four flights of […]

Janick Burn — Marie-Ève Leclerc-Parker

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Marie-Ève Leclerc-Parker | Artists: Janick Burn

[Winter 2020] This article was originally published only in French. You can read it by switching over to the French version of this page. Plein sud, Longueuil Du 18 mai au 22 juin 2019 Par Marie-Ève Leclerc-Parker (French only) [See the printed or digital version of the magazine for the complete article. On sale throughout […]

Rebecca Belmore — Sophie Guignard

Ciel variable 114 - MASSES | MONUMENTS | Exhibition reviews
Authors: Sophie Guignard | Artists: Rebecca Belmore

[Winter 2020] This article was originally published only in French. You can read it by switching over to the French version of this page. Braver le monumental Musée d’art contemporain de Montréal Commissaire : Wanda Nanibush Du 20 juin au 6 octobre 2019 Par Sophie Guignard (French only) [See the printed or digital version of […]

Dakar, From the Studio to the Sidewalk — Érika Nimis

Ciel variable 114 - MASSES | MONUMENTS | Essays
Authors: Erika Nimis | Artists: Babacar Traoré (Doli), Boubacar Touré Mandémory, Bouna Médoune Sèye, Élise Fitte-Duval, Fatou Kandé Senghor, Ibrahima Thiam, KhéraBaba, Mabeye Deme, Malick Welli

[Winter 2020] Par Erika Nimis Dakar, a cosmopolitan capital city and crossroads on the Atlantic coast, open to all creative currents, has grown under the gaze of its photographers. An independent field of professional photography emerged in the 1990s, and the institution of the Mois de la Photo has contributed to legitimizing an increasingly engaged […]

Geneviève Cadieux, Vast Still Tender: Ghost Ranch — Laurie Milner

Ciel variable 114 - MASSES | MONUMENTS | Essays
Authors: Laurie Milner | Artists: Geneviève Cadieux

[Winter 2020] Par Laurie Milner Is it the greyness of the April afternoon that makes the Rene Blouin Gallery seem so luminous as I enter Geneviève Cadieux’s exhibition Ghost Ranch?1 I had heard the buzz among artists and colleagues that this was a show to be seen – a virtuoso production by an august Montreal […]

Stephen Gill, Gill and the Birds: A Photographic Code of Ethics — Alexis Desgagnés

Ciel variable 114 - MASSES | MONUMENTS | Essays
Authors: Alexis Desgagnés | Artists: Stephen Gill

[Winter 2020] Par Alexis Desgagnés On the threshold of my teenage years, my greatest passion was to observe birds. I spent countless hours, binoculars hung around my neck, prowling slowly, silently, through woods and meadows, looking out for a rare gem! When I was thirteen, a camera, a gift from my stepmother, replaced the binoculars, […]

Mélissa Pilon, Foules — Claudia Polledri, What Is a Crowd? A New Approach to the Photojournalistic Image

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Claudia Polledri | Artists: Mélissa Pilon

[Winter 2020] By Claudia Polledri What is a crowd, and how can a photograph teach us about this protagonist of twentieth-century history? In her photobook Foules, Mélissa Pilon underlines the visual complexity of crowds as living organisms, casting an original gaze upon them. In this work, defined as photojournalism, Pilon aims to offer a new […]

Gisele Amantea, Aleppo, Syria, December 17, 2016 — An interview by Jacques Doyon

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Gisele Amantea, Jacques Doyon | Artists: Gisele Amantea

[Winter 2020] An interview by Jacques Doyon Jacques Doyon: What is the origin of the work Aleppo, Syria December 17, 2016? How did the idea emerge? Why Syria? And what prompted you to work from an existing image of a disaster? Gisele Amantea: I was invited by curator Emily Falvey to participate in the group […]

Alain Paiement, Masses / Particules — Alain Paiement, Crowds

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Alain Paiement | Artists: Alain Paiement

[Winter 2020] Demonstrations. From Occupy Wall Street to Extinction Rebellion actions, popular resistance demonstrations have become an integral part of international news over the last decade. We are almost accustomed to seeing, over and over, spectacular images of uprisings against dictators, altercations among citizens, identity-related confrontations, movements of crowds in war and in desperate migrations. […]

Dominique Blain, Déplacements — Louise Déry, A Painful Beauty

Ciel variable 114 - MASSES | MONUMENTS | Portfolios
Authors: Louise Déry | Artists: Dominique Blain

[Winter 2020] By Louise Déry As Dominique Blain’s exhibition Déplacements was being presented in Paris,<sup>1</sup> Venice was suffering a flood so terrible that we were once again anguished about the possibility of seeing this incomparable treasure of world heritage disappear. Not so long ago, it was Notre-Dame de Paris that was severely damaged, this time […]

Masses | Monuments

Ciel variable 114 - MASSES | MONUMENTS | Portfolios

[Winter 2020] In this issue’s thematic section, we look at collective action in society. Against a background of social conflict and war, the artists evoke the impact of collective actions on the common good by re-examining and recontextualizing images plucked from the mass of media images that form our relationship with the world. DOMINIQUE BLAIN […]

The Aesthetics of the Political

Ciel variable 114 - MASSES | MONUMENTS | Editorial
Authors: Jacques Doyon

[Winter 2020] In the thematic section of this issue, we take a look at collective action in society. Against a background of social conflict and war, the artists evoke the impact of collective actions on the common good by scrutinizing multitudes of media images that help to form our relationship with the world. Through re-examination […]

Ciel variable 114 – MASSES | MONUMENTS

Ciel variable 114 - MASSES | MONUMENTS

[Winter 2020]

In this issue’s thematic section, we look at collective action in society. Against a background of social conflict and war, the artists evoke the impact of collective actions on the common good by re-examining and recontextualizing images plucked from the mass of media images that form our relationship with the world.

Audrey Genois, MOMENTA 2019: Broadening the Field for the Biennale — Jacques Doyon

Ciel variable 113 - TRANS-IDENTITIES | Entrevues, Interviews
Authors: Audrey Genois, Jacques Doyon

[Fall 2019] An interview by Jacques Doyon Audrey Genois has been the executive director of MOMENTA | Biennale de l’image (formerly Le Mois de la Photo à Montréal) since 2016. She was assistant curator at the Galerie de l’UQAM from 2002 to 2016. Over fifteen years, she organized more than sixty exhibitions and ten national […]

New and Worthy

Ciel variable 113 - TRANS-IDENTITIES | Book Reviews, Readings

[Fall 2019] [Excerpt] David McMillan, Growth and Decay, Göttingen, Steidl Verlag, 2019, 260 p. Guillaume Simoneau, Murder, Londres, Mack, 2019, 96 p. Greg Girard, Tokyo Yokusaka, 1976-1983, Toronto, Magenta Foundation, 2019, 160 p. Louis Perreault, Les affluents, Montréal/Québec, Les Éditions du renard/VU, 2019, 96 p. Kim Waldron, Une autre femme_ Another Woman, New York, Galerie […]

Abendlied, Birthe Piontek — Guillaume Tomasi

Ciel variable 113 - TRANS-IDENTITIES | Book Reviews, Readings
Authors: Guillaume Tomasi | Artists: Birthe Piontek

[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. New York, Gnomic Book 2019, 112 pages Par Guillaume Tomasi (French only) [See the printed or digital version of the magazine for the complete article.] Purchase this issue

Steve Leroux, Projections (2014-2019) — Franck Michel

Ciel variable 113 - TRANS-IDENTITIES | Exhibition reviews
Authors: Franck Michel | Artists: Steve Leroux

[Fall 2019] This article was originally published only in French. You can read it by switching over to the French version of this page. Occurrence, centre d’art et d’essai, Montréal Du 9 mai au 15 juin 2019 Par Franck Michel (French only) [See the printed or digital version of the magazine for the complete article.] […]

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